Chu Van An Temple is located on Phuong Hoang Mountain, in Van An commune; about 4 km from Con Son relic site. This is a cultural relic and scenic spot that you can visit, with beautiful pine forests, old and new temples built in 2007. Chu Van An mausoleum is located in this relic area. The festival is in August and January, the main festival is on August 25 and November 26. The relic was ranked in 1998. The mausoleum is hidden deep in the Phoenix ravine, about 600m from the temple. Teacher Chu Van An's mausoleum was renovated with funds from teachers and students in the education sector of Hai Duong province. A small path with uneven gravel layers shaded by forest pine canopy will take visitors to visit the master's grave. Legend has it that when Master Chu Van An died (1370), his students buried him at the top of Phuong Hoang Mountain and built a house next to the grave to worship him all year long to show their condolences. The main hall of the temple is located on a high, airy position, with a nail (J) architectural style, overlapping 8 roofs, curved belt ends creating an elegant, sacred look, the roof embossed with ''two dragons''. Adoration of the Sun", in front is a pair of large stone dragons and high stone steps. The special thing here is that when tourists visit the temple, in addition to offering vegetarian and salty offerings, they often also offer pens and books to pray for fame, fortune, and education. Source Electronic information portal of Chi Linh city, Hai Duong province.
Hai Phong
3692 view
Rating : National monument
Sinh Temple - Hoa Temple relic is located on the slopes of Ngu Nhac mountain, An Mo village, Le Loi commune, Chi Linh district. The temple is an ancient architectural work, leaning against Ngu Nhac mountain overlooking the Northeast amidst vast forests mixed with lush lychee hills. Sinh Temple worships the place of birth, Hoa Temple worships the place of transformation of general Chu Phuc Uy - an angel of the pre-Ly Dynasty (544). Sinh Temple - Hoa Temple (Mother Sinh Temple - Thanh Hoa Temple) today is also called Thanh Phi Bong Temple, Thanh An Mo Temple is now in Le Loi commune - Chi Linh district. The temple is on the slopes of Ngu Nhac mountain, in the middle of a vast forest. Here and there are strange rock formations next to the underground stream, murmuring underground, mixed with the sound of pine trees. On the surface of the stream, large pebbles that have been smoothed by time and spring water are stacked on top of each other. Far away on the top of the mountain, a few ancient temples are glimpsed in the gently flying white clouds. This scene makes people think of mystical stories. Based on history and legends, Sinh Temple - Hoa Temple was established in the 11th century. But the relics were still recreated in the 19th and early 20th centuries. Sinh Temple was built in a Tam shape with 3 consecutive buildings. together, the harem is built over the strange stone block described in the legend. There is a statue of the Mother Goddess here - the statue of Mrs. Hoang Thi Ba. At the temple, there are many antiques and two steles talking about the miracle and the temple restoration process. Hoa Temple has the same form and architecture as Sinh Temple but is larger in scale on a relatively flat land. The middle word recreates the year of Tu Duc Ky Mao (1879). The harem has a statue of general Chu Phuc Uy and many valuable sacrificial items. During the pre-uprising period, Sinh Temple - Hoa Temple became a secret meeting place for the revolutionary base (1943-1944). In 1947, Sinh Temple - Hoa Temple became a meeting place for local revolutionary organizations. In late 1947 and early 1948, the military weapons factory of Chi Linh - Nam Sach - Kinh Mon district chose Hoa Temple as a place to produce weapons. During the resistance war against the US (1969 - 1972), Sinh Temple - Hoa Temple was a temporary place for teaching and studying of staff and students of Forestry University. In terms of landscape, architecture, historical and cultural significance and events during the revolutionary resistance period, the Ministry of Culture and Information issued Decision No. 295/QD - BT dated December 12, 1994 to rank Sinh Temple - Hoa Temple relic area aims to preserve a cultural heritage, a natural beauty, and expand tourism space and sightseeing content for tourists when coming to Chi Linh land. Nowadays, at Sinh Temple and Hoa Temple, every year comes May and August of the lunar calendar. The land of An Mo is bustling and jubilant, creating a festive atmosphere. The May Festival is the main festival at Sinh and Hoa temples. From all over the country, pilgrims return to the Sinh and Hoa temple festivals, bringing their thoughts and wishes to return to the spiritual place. Source Electronic information portal of Chi Linh city, Hai Duong province.
Hai Phong
3575 view
Rating : National monument
Thanh Mai Pagoda belongs to Hoang Hoa Tham commune. Thanh Mai Pagoda is a very ancient pagoda, built in 1329 by Zen Master Phap Loa - Second Patriarch of the Truc Lam Yen Tu Zen Sect. The pagoda was recognized as a national historical site in 1992. Thanh Mai Pagoda was built on a mountainside, next to a small stream, looking south. In front of the pagoda is Bai Vong Mountain where there is the grave of Nguyen Phi Khanh - Nguyen Trai's father. Currently, the pagoda is being partially restored on the remains of a large project including: 7-compartment front hall, 5-compartment Tam Bao, two corridors, ancestors' house, monk's house. Behind is Vien Thong tower, built in 1334. In front there are 7 towers. At the relic, there are 7 valuable steles, of which the Thanh Mai Vien Thong marble tower has the greatest value. It can be said that this is a national treasure. The stele talks about the life and career of the second patriarch of the Truc Lam Zen sect, but through it we can see the contemporary political, religious, and land situation and the activities of the third Truc Lam patriarch: Tran Nhan Ton. , Phap Loa and Huyen Quang. According to the epitaph: Phap Loa was originally Dong Kien Cuong, born on May 7, Giap Than year, the 6th year of Thieu Bao (1284), in Dong Hoa village, Cuu La village, Nam Sach Giang, now in Ai Quoc commune. Nam Sach district. In the year Hung Long 13 (1304), on the occasion of Tran Nhan Ton's visit to Cuu La village, Dong Kien Cuong came to worship. Nhan Ton realized that Kien Cuong was a man with a religious eye, meaning he had the ability to practice and attain enlightenment. He let Phap Loa follow him to study Buddhism and gave him a new name: Hy Lai, meaning one who brings joy. He was intelligent and studious and enthusiastic about Buddhism, so just one year later, he died as a Ky Unicorn. Chi Linh) he was given the dharma name Phap Loa by Dieu Ngu Dau Da Tran Nhan Ton. In February of the year Hung Long 15 (1307), Tran Nhan Ton gave Phap Loa the treasures. And on the first day of the first month of the year Hung Long 16, he handed over the right to inherit the career of the Truc Lam Tam To Zen sect. From then on he became the second founder of this Zen sect. On the 5th day of the second month of the second year of Khai Huu (1330), Phap Loa was preaching sutras at An Lac hospital when he suddenly fell ill. On the 13th, the monk returned to Quynh Lam Institute (Dong Trieu) to recuperate. On day 19, the illness became severe. Seeing that it was difficult to survive, Phap Loa invited Huyen Quang to give him the treasures that Tran Nhan Ton gave him 22 years ago before his death, such as robes, verses describing the mind... and said: "Huyen Quang will be the guardian." maintain and inherit". On the night of March 3, Phap Loa passed away at Quynh Lam Institute. According to the monk's will, his relics were placed in the tower behind Thanh Mai pagoda. Emperor Tran Minh Tong wrote in his pen, naming the monk Tinh Tri Venerable and the tower name Vien Thong, gave 10 taels of gold from the treasury to build the tower, and wrote an emotional poem of tribute. This is a rare grace in Vietnamese history. Since then, the career of the Truc Lam Zen sect was presided over by Huyen Quang and became the third patriarch of this Zen sect. Huyen Quang served as the Abbot of Thanh Mai Pagoda for 6 years. Thanh Mai Pagoda is a religious center of the Truc Lam Zen sect in deep forests and high mountains. The presence of the relic has proven the extraordinary nature of Tran Dynasty religion. There is also an ancient forest planted by humans in the middle of nature, a system of valuable towers and inscriptions, typically the stele "Thap Vien Thong". Therefore, the relic site and natural forest have been zoned for protection by the state, gradually restored and embellished to preserve a cultural heritage, creating an attractive tourist attraction in terms of culture and landscape. nature. The anniversary of Phap Loa's death has become an annual pagoda festival. The festival starts from March 1 to March 3. Source Electronic information portal of Chi Linh city, Hai Duong province.
Hai Phong
3536 view
Rating : National monument
Cao Temple belongs to An Lac commune. There are four ancient sacred temples here, worshiping the five brothers of the Vuong family who helped King Le Dai Hanh defeat the Song army led by Hau Nhan Bao and Ton Toan Hung in 981. The temple is a cultural site, historical relic, and famous landscape of our country. Cao Temple worships 5 Vuong brothers named: Vuong Minh, Vuong Hong, Vuong Xuan, Vuong Thi Dao, Vuong Thi Lieu who fought against the Song invaders in the 10th century. The temple was built according to the architecture of the word "nail" located on Thien Bong mountain. Surrounding the temple is an old ironwood forest. Near the relic there is a bamboo forest where storks reside in large numbers, creating a lively landscape. This was once Le Hoan's military base during the resistance war against the Tong in 981. The temple was built in the pre-Le period, the relics are still being restored in the Nguyen dynasty, in a three-letter style, on a small scale. The architecture and sacrificial items are still quite consistent, typically the system of parallel sentences and great characters. This is a long-standing devotional center of local people. Every year there is a festival from January 22 to 25. The relic has the following works: pre-sacrifice, middle-class and post-harem works; There are many valuable antiques such as inscriptions, dragon swords, precious bowls, thrones, etc. Especially the system of great characters and couplets praising the merits of the 5 Vuong brothers and the nation's victorious resistance war against the Song army. When climbing over 100 mossy brick steps, visitors will see 99 elephants. made of stone. According to legend, these are elephants that have just returned from victory. They roared with their trunks and rushed down to the soft Nguyet Giang river to drink water. In the main hall, there is a great script written in stone style with four large cursive letters "Thanh Tho Vo Cuong", on the left "Cao Son Nguong Tu" and on the right "Cao Cao Tai Thuong". In front of the temple door, under the canopy of an ancient ironwood tree, are two rows of stone elephants and stone horses. In addition, Cao Temple is also a temple with a quite unique architectural style. Cao Temple is a meeting place for those who respect the nation's cultural history. Cao Temple worships General Vuong Duc Minh, who was instrumental in fighting the Song invaders. The project belongs to the Cao Temple relic complex worshiping the 5 Vuong brothers, and was ranked national by the State in 1988. Source Electronic information portal of Chi Linh city, Hai Duong province.
Hai Phong
3710 view
Rating : National monument
Bo Duong communal house, Hong Phong commune, was built during the Le dynasty, Chinh Hoa era, over 300 years ago. The communal house is called Dinh Dong "East facing communal house" located in the center of Bo Duong village, Hong Phong commune, and is one of the three remaining communal houses in the ancient temple architectural complex of the Village. The communal house was built in the year Ky Ty (1689) of the Le dynasty, the reign of Chinh Hoa, the Dong communal house has the shape of the letter Dinh (J), the architecture is in the style of a traditional belt communal house in the Northern Delta, structured with a system of pillars. , bunk, truss bed, massive boat, including harem, ancient prize and 5 great worship rooms, low-slung roof, roofed with funny-nosed tiles, wooden pavilion covered with dragons flanking phoenixes, in the middle of the roof are 2 cows. Nghe, the roof of the communal house are two Lac dragons expressing the majestic power of creation. From a distance, the roof of the communal house looks as elegant as a kite taking flight; The interior of the pavilion has many pieces of delicately carved art on wood: Dragon, Ly, Quy, Phuong, Pine, Plum, Chrysanthemum, bamboo with philosophical features like a mother dragon teaching her children; Describes Village festival scenes such as: water puppetry, bowing, wrestling, boat racing... and many precious worship objects such as: thrones, war horses, octagons, lacquered and gold lacquered couplets. Bronze bells and many other worshiping objects have historical connections. In front of the communal house is a large yard, on both sides there are 14 banquet spaces, adjacent to the communal house in the front are the east tru and west tru gates; Entering the communal house yard through three gates including: the main gate, two gates on the left and right, the corner parallel to the three gates is two soaring pillars, on top covered with leaf buds that look like a giant pen writing poetry into the blue sky. The architectural complex of communal houses, temples, and temples in Bo Duong village is ancient and magnificent, one of the most magnificent in the region. But due to historical events, the weathering process caused a lot of loss. In 1993, with financial support from the state and contributions from local people, the communal house was restored and repaired. In 1995, Bo Duong and Hong Phong communal houses were decided by the Ministry of Culture and Information. decided to rank it as a National Historical and Cultural Relic. In 2010, the state supported over 10 billion VND and Bo Duong communal house continued to be restored and embellished. In 2011, the Department of Culture and Sports of Hai Duong province supported the locality to restore the ancient traditional festival, thereby serving as a basis for the people of Bo Duong village, Hong Phong commune, to preserve and promote the values culture at monuments. According to legend, the communal house worships General Cao Xuan Huu in Tam Hoang Village, Sieu Loai district, Thuan Thanh district (ancient name is Thuan An, Kinh Bac religion), he was born on the 13th of the first month in the year of Giap Ty, belonging to a family of virtuous people. core. Mr. Cao Xuan Huu is a talented man. Since he was a child, his parents sent him to pursue a university degree. He is famous for being intelligent and good at literature and martial arts. When his parents passed away, at that time in the 18th Hung Due Dynasty, at an old age, the king gave birth to 20 princes and 6 princesses, all of whom were immortal, intending to cede the throne to his son-in-law, Son Thanh, in the court. There was a General of the Thuc family who rebelled and asked for help from a neighboring country, intending to usurp the throne. Mr. Cao Xuan Huu went to help the King suppress the bandits. He was a talented man and was appointed by the King as a striker and general in command of the envoy. He and his soldiers were stationed in Bo Duong and Hong Phong and from there spread out everywhere to suppress the enemy. Wherever the troops went, the enemy dispersed. The country returned to peace. On the occasion of his trip, he visited his old place of Hong Chau. On the 13th day of the third lunar month, he held a party to celebrate the victory "Song of Triumph" and then passed away in Bo Duong, Hong Kong. Phong on November 12 (lunar calendar). General Cao Xuan Huu was bestowed by the King with the title: "Linh Ung the King conferred the title of Duong Dinh Linh Ung Pho Huu, Propaganda, Trach Chieu Thong, Resolute, Brave, Heroic, Protector of the Nation, Mighty, Talented, and Strategic, Superior Deity". The edict allows Bo Duong village, Hong Phong commune, to establish a temple to worship the gods and enjoy blessings with the country as a permanent ritual in the future. Since ancient times, every spring on the 13th day of the 3rd lunar month, remembering the day of his "Triumph Song", the Village people have had the custom of holding a festival to celebrate: carrying palanquins, offering sacrifices to pray for the country and people. peace, favorable weather, lush vegetation, good harvests, and a warm home. The village festival also has many fun activities such as: cheo singing, dum singing, lighting fireworks, hitting clay fireworks, cockfighting... most especially the water puppet show. Bo Duong Communal House Cultural and Historical Relic was built in a central location in the middle of Bo Duong village with an architectural complex and a campus of 1783.1 m2. The communal house faces East. In front, there is the main inter-village road running through and there is a Water Puppet House. The southeast is adjacent to the house displaying puppet shows and the village's central Cultural House. The west borders the residential area. To the north is a large pond, which was also a place for water puppetry in ancient times. Source Electronic information portal of Ninh Giang district, Hai Duong province.
Hai Phong
3552 view
Rating : National monument
Dinh Ca is located in the center of village 5, Tan Huong commune, Ninh Giang district, Hai Duong province. Tan Huong is a land deposited by alluvium from the Red and Thai Binh river systems, so the land is fertile and convenient for agricultural production. According to legend in Nhan Dan, Ca communal house has been located at the same location since its inception, however there has been a change in the scale and space of the monument. Previously, the relic was surrounded by a residential area, behind was a communal pond, and in front was a residential road. Today there are changes compared to before: The East is adjacent to a residential area; The West and North border the inter-village road; The south borders the residential area. During the years of resistance against the US, Ca communal house was the place where the delivery and receipt of troops to serve the Southern battlefield took place. In the years 1957 - 1958, this place organized and implemented the popular education movement. "Popular education" is a movement to eliminate illiteracy among the entire population, launched by the Provisional Government of the Democratic Republic of Vietnam on September 8, 1945 (Decree 19/SL and 20/SL). Right after Vietnam gained independence, this movement solved "Ignorance" - one of Vietnam's most urgent problems at that time. Based on the legend - the spirit of ancient Nam Boi village (today separated into two villages: Village 3 and Village 5), Dong Boi canton, Ninh Giang district, Hai Duong province, compiled by Nguyen Binh Phung in the year of Hong Phuc. (1572), currently kept at the Institute of Social Science Information under the Vietnam Academy of Social Sciences, said: Dinh Ca, village 5, Tan Huong commune, Ninh Giang district, Hai Duong province is a place to worship 7 the Tutelary God including: 4 are human gods, 2 are angels and 1 is an earth god. The gods include: Quy Minh Dai Vuong, Phan Trac Mai Vy, Pham Mai Chinh Thien and Phan Mai Khai Quoc. The angels include: Thien Hoang Linh Thuong Great King, Thien Quan Hanh De Great King. The earth god is: Earth Spirit Great King. The Village Tutelary Gods are people who have contributed to helping the people and the country. Through many feudal dynasties, they have been awarded ordained and established communal houses to worship. - Before the August 1945 Revolution: At the relic, two festivals take place: From the 5th to the 15th of the 11th month (lunar calendar): This is the main festival of the year - Tutelary God's Transformation Day; On the 2nd day of the first month (lunar calendar) and the full moon day (lunar calendar) of every month, the monument is open for people and tourists to offer incense. + Main festival - Tutelary God's Transformation Day: Takes place in 10 days, starting from the 5th to the 15th of the 11th month (lunar calendar), (in which the 5th and 6th are the main festivals). During the festival, activities take place such as: Organizing the "Ong Pig" contest, the procession of the Holy Set is held solemnly and solemnly. The procession departs from the Ca communal house, the procession goes to the North temple, then organizes incense offerings here, after offering incense, the procession continues to the East temple, the procession to the Nam temple, then the procession returns to the communal house. During the days of the festival, in addition to the sacred and solemn ceremony. The festival is exciting, organizing many forms of participation in games such as: Chess; Cockfighting; Praying for ducks, catching ducks; Earthen artillery; Wrestling; Tug of war... + January 2 (lunar calendar): In addition to the main festival on the 5th and 6th of the 11th month (lunar calendar), every year on the 2nd day of the New Year, a market is held at the communal house yard - this is a typical event of the Tan Huong people. It has become a custom that on the 2nd day of Tet, people in Tan Huong commune gather at Ca communal house to hold a market to pray for good luck. Each year the market only holds one session. People come to the market, in addition to buying and selling, they also go to the village communal house to burn incense to pray for luck and happiness throughout the year. - Today's festival: In recent years, the organization of festivals at Ca communal house has been organized by the Commune People's Committee. The festival is held for 3 days: From the 5th to the 7th of the 11th month (lunar calendar). Source Electronic information portal of Ninh Giang district, Hai Duong province.
Hai Phong
3440 view
Rating : Provincial level relics
Tran Xa village communal house, Nam Hung commune (Nam Sach) has a long history, is the place to worship 3 Tutelary Gods of the Pham family during the Ly dynasty and worship the famous general Tran Quang Khai - a man who had great contributions to contribute to the victory of the Tran dynasty's army and people. victory in the resistance war against the Mongol invaders in the 13th century. The communal house has been ranked as a provincial historical relic since 2007. However, due to the deterioration of the building, it has received attention from all levels, and according to the wishes of officials, party members and people. , Tran Xa communal house has been renovated and renovated. Tran Xa is a famous historical place. During the Ly Dynasty, Tran Xa was called Tran Xa Trang, located on the left bank along the Kinh Thay River, creating a large area called Tran Xa pool. During the Tran Dynasty, the Tran Xa site was changed to Tran Xa loan. Legend has it that in 1282, King and I of the Tran Dynasty returned to this area to hold a conference in Binh Than to discuss plans to fight the Mongol invaders for the second time. Today, in the Khoai No pile of Tran Xa village, there are still 2 doi trees. Legend has it that this is where the king lived. Tran Dynasty mandarins tied their horses when getting off the boat to hold the Binh Than conference. These two trees are conserved and preserved by the people and are recognized as heritage trees in 2021. Tran Quang Khai (1241-1294) was the third child of King Tran Thai Tong, his mother was Queen Ly Thi Thuan Thien (eldest daughter of Emperor Ly Hue Tong). He is the younger brother of Crown Prince Tran Hoang, also known as King Tran Thanh Tong. In 1258, King Tran Thanh Tong appointed him the title of Lieutenant, Chieu Minh Vuong and ruler of Nghe An province. In Thieu Long's 14th year (1271), he became a lieutenant-general and became the head of the court in charge of state affairs. In the 4th year of Thieu Bao (1282), King Tran Nhan Tong promoted Tran Quang Khai to the position of Senior General and Grand Master, holding full power over internal affairs. He was a politician, military man, and a member of the Dai Viet royal family during the Tran dynasty. Legend has it that when King Tran Nhan Tong returned to open the Binh Than conference in Tran Xa area, Tran Quang Khai was assigned the responsibility of general commander to protect and keep the conference secret. After his death, to commemorate the talented general, the people of Tran Xa site (Tran Xa loan) set up a temple to worship and burn incense forever. Tran Xa Communal House was built in the Later Le Dynasty on a high mound in the middle of the village. At the same time, the people brought Grand Master Tran Quang Khai to worship at the communal house along with the three village tutelary gods. During the Nguyen Dynasty, the communal house was restored and was spacious and beautiful, including 5 main worship rooms and 3 back palace rooms made of four-iron wood. In 1953, the great hall was demolished by the French colonialists, leaving only 3 harem rooms remaining. Through the changes of time, the harem was damaged and was restored by the people in 1992. In 1999, 5 great worship rooms continued to be restored. In 2007, Tran Xa communal house was recognized as a provincial cultural and historical relic. Overcoming the changes and ups and downs of history, Tran Xa communal house still retains a number of valuable antiques such as a 12th Chinh Hoa stone stele (1691); 1 altar throne, 1 altar sword, 1 coffin, 1 incense bowl of Phu Lang ceramic of Nguyen Dynasty (19th century). Up to now, some items such as Tien Bai House, courtyard, and communal house walls have seriously degraded. Based on the actual situation and according to the wishes of the people in the village, Nam Hung commune proposed and was allowed to restore the monument. Up to now, the project of restoring and embellishing Tran Xa communal house has been completed. The unique and impressive feature of Tran Xa Communal House when renovated is the relief of the 13th century Tran Dynasty village painting, with images of Luc Dau Giang branch, Ben Binh Than Conference, banyan tree, and well. , communal house yard, hero Tran Quoc Toan with a flag embroidered with six golden words "Destroy the enemy's strength, report to the king's grace", two duoi trees - where the Tran dynasty's kings and mandarins tied their horses when getting off the boat to hold the Binh Than conference... Tran Xa village communal house was renovated and renovated to be spacious and beautiful, meeting the wishes of the people of Tran Xa village in particular and the people of Nam Hung commune in general. This is the bond that unites the community and the beauty of village culture. In the minds of Vietnamese people, "banyan tree, water wharf, communal house yard" are familiar images, attached to the souls of all people, a symbol of homeland and country. Source: Electronic information portal of Nam Sach district, Hai Duong province.
Hai Phong
3508 view
Rating : Provincial level relics
The Gia Coc Pagoda relic cluster is located on flat, high land, running from Northwest to Southeast, in Gia Coc village, Tu Cuong commune, Thanh Mien district, Hai Duong province. According to the Chinese legend copied by the Minister of Rites Nguyen Hien on the king's orders in the year of Thuan Thien, the third year of the eighth month, the first three days (August 3, 1430) and left at the relic, it is said that in the past, The cluster of relics and Gia Coc pagoda (currently the cluster of relics is located in Gia Coc village, Tu Cuong commune, Thanh Mien district, Hai Duong province) is located on an area of land with unusually beautiful scenery, running from Northwest to Southeast , in front there is a pile of golden turtles as a project; Behind the converging tides, on the left there is a dragon, on the right there is a tiger, behind there is an elephant. Currently, although the landscape of the relic complex has changed a lot, it still retains many characteristics from ancient times. And according to folk beliefs, the Neo river branch running from Northwest to Southeast of Gia Coc village is the image of a dragon. Many mounds in front of the monument are traces of golden turtles and tigers. Historical sources say that during the Ly dynasty, Gia Coc village was called Gia Coc site. Later changed to Gia Coc commune, Phu Me district, Thanh Mien district, Hai Duong province. After the August 1945 Revolution, it was changed to Gia Coc village, Tu Cuong commune, Thanh Mien district, Hai Duong province as it is today. The cluster of relics and Gia Coc Pagoda are associated with the name of a Ly Dynasty mandarin named Le Trung Hoa. He was born on March 10 and died on August 10 (year unknown). From a young age, he had great ambition and was perfect in literature and martial arts. At that time, the Song invaders sent their general, Hoang Phuc, to bring troops to invade our country. The court appointed Le Trung Hoa as Grand Master to command 10,000 troops to fight the Song invaders. At this time, the Song army was stationed in Hai Duong town. Grand Master Le Trung Hoa commanded the army to attack the East side and support the West side. The enemy army was defeated, the country was peaceful again, he brought his troops back to Gia Coc site to reward the soldiers. At Gia Coc site, seeing the unusually beautiful scenery, he decided to set up camp and station his troops here. After his death, the court provided money to build communal houses and temples for worship and he was granted the title of "Supreme God" by the dynasties and titled "Great King and Grand Master". He was honored by the people here as the Village's Tutelary God and had a statue made for worship. Currently, at the cluster of relics, there are still 5 decrees conferred by King Tu Duc in the 6th year (1853) on November 10; King Tu Duc in his 31st year (1878) conferred the second title; King Dong Khanh in his 2nd year (1887) conferred on July 1; King Duy Tan's 3rd year (1909) was conferred on August 11; King Khai Dinh in his 9th year (1924) conferred the title on July 25. Nghe Coc is made in the shape of the letter Nhi, the outer part has 5 rooms and the harem has 3 rooms, the rafters are all made in the style of the husband's children, the heads of the husband's children are carved with the theme of four sacred animals, the ends of the porch levers are carved. four-quarter engraving. Inside the harem there are 3 altars, on the left worshiping Tran Hung Dao, in the middle worshiping Le Trung Hoa and on the right worshiping Pham Ngu Lao. Next to Gia Coc Pagoda is Gia Coc Pagoda with Dinh-shaped architecture including a 5-compartment front hall and 3-compartment Tam Bao... With unique historical, architectural and artistic values..., the Gia Coc Pagoda and Pagoda relic complex was granted Decision No. 281 by the Ministry of Culture and Information (now the Ministry of Culture, Sports and Tourism). Certificate of recognition of the Gia Coc Pagoda relic cluster as a national historical-cultural relic cluster on April 14, 1993. Source Electronic information portal of Thanh Mien district, Hai Duong province.
Hai Phong
3201 view
Rating : National monument
Dao Lam Communal House worships four generals: Pham Van, Hoang Cong Binh, Vu Cong Tao and Crown Prince Ly Manh. All four men were instrumental in helping the Ly dynasty drive out the Luong invaders. According to the legend preserved at Dao Lam communal house, in the 6th century, the Liang Dynasty in China sent General Tran Ban Tien to bring troops to invade our country. Upon receiving the news, King Ly Nam De immediately gathered his court officials to find a plan to fight the enemy and recruit troops. Because of their talent in literature and martial arts, Messrs. Pham Van, Hoang Cong Binh, Vu Cong Tao, and Crown Prince Ly Manh were trusted by the king to entrust 2,000 soldiers to fight the enemy. When he arrived at Dao Tong village, Gia Phuc district, Thuong Hong district (now Dao Lam village, Doan Tung commune), he was happily welcomed by the people. Seeing that this place had beautiful scenery and beautiful people, the four men ordered the soldiers and villagers to set up a palace and hold a feast to welcome the army. That day, there were 20 young men in the village who asked to fight the enemy. A few days later, the army quickly set out straight to the banks of the To Lich river to fight the enemy. With their ingenuity, the army of four quickly repelled the enemy. Unwilling to lose, the Luong army asked for more reinforcements. In the second battle, due to the difference in forces and weapons, many of the four soldiers died. To complete the relationship with the young country, all four generals threw themselves into the To Lich river on the 20th day of the 10th lunar month. After the battle, some surviving soldiers returned to Dao Tong village and told the story. To commemorate their gratitude, Dao Tong villagers built a temple to worship the four people at the palace that the insurgent army established in the past (now the harem of Dao Lam village communal house). With great merit, the Ly Dynasty immediately conferred the title of Superior God on all four generals. King Ly ordered the people of Dao Tong village to bring the king's beautiful statue to the temple of the four kings. In 1288, O Ma Nhi and Thoat Hoan brought 500,000 troops to invade the Tran Dynasty. King Tran Nhan Tong assigned the National Registrar Tran Quoc Tuan to the temple of four people in Dao Tong village to worship and pray. Then he went to fight the enemy and won a glorious victory. In 1416, King Le Thai To chased away the Ming Dynasty and also went to the temple of the four monks to worship and pray and indeed won. Thanks to that, the Tran and Le dynasties both conferred the title of Superior God for four people. Dao Lam Communal House is located on flat, spacious land and was built on a fairly large scale. The communal house consists of three main buildings: the outer communal house, the middle communal house and the rear palace, in addition there is a bell tower. Over time, the communal house has been tinged with moss and has many ancient features. The outer communal house has 5 rooms and 2 wings with an area of over 250 m2 with 4 rows of large ironwood columns. The architecture of the rafters is in the style of stacking lotus mats and carved with stylized flowers and leaves. The husband's heads are shaped like dragon heads. At the 8 ends, the image of a poisonous dragon holding a jade is carved, creating a solid position and expressing sacredness. The outer roof of the communal house is covered with roof tiles, the corner blades are shaped like a softly curved dragon's head. On the roofs are arranged four sacred animals (dragon, lyre, tortoise, phoenix). At both ends of the roof of the communal house are two strong dragon heads with a plier-like posture to keep the communal roof more stable. The middle communal house is 2 m away from the outer communal house and also includes 5 rooms and 2 wings but the area is smaller (about 220 m2). The most outstanding architecture is the carved art at the ends of the traps with the theme of four seasons: spring, summer, autumn, and winter. On the murals are very sharp and lively long pants. On the central crossbar hangs the great inscription "Duc Phong Thuong Thuong Than". Below are arranged 1 set of bowl-shaped palanquins, 2 sets of dragon palanquins. On both sides are two rows of eight-precious dragon swords. All artifacts are painted. Like the outer pavilion, the middle pavilion was built in the Later Le dynasty and renovated in the Nguyen dynasty. Next is the middle pavilion, which is about 105 square meters wide and includes three back rooms At the back of the harem there is a large altar with four thrones to worship the four village tutelary gods. Each throne has a tablet with their names written on it. In March 1990, Dao Lam communal house was ranked by the State as a national historical and cultural relic. Source Electronic information portal of Thanh Mien district, Hai Duong province.
Hai Phong
3343 view
Rating : National monument
Luong Xa Communal House worships Mr. Dao Nha, who was instrumental in helping the Tran Dynasty fight against the Mongol invaders in the 13th century; His merits have been recorded in the legends, ordinations, and couplets that still exist and are kept at the monument. The communal house also worships Mrs. Tran Thi Huong, a supporter of the Can Vuong movement against the French at the end of the 19th century. Luong Xa communal house was built in the late 19th century and majorly restored in 1930. The architectural relics are quite consistent from the Great Temple. , Harem and Giai Vu, is a large-scale relic, with many carvings and reliefs of high artistic level. With this architectural style, it helps us study the history of ancient Vietnamese sculpture. Based on historical values, in 2001, Luong Xa communal house was recognized by the State as a national historical relic. For the locality, Luong Xa communal house is not only a place to worship people who have contributed to the country, it also marks the resistance war against the French and the Americans. It is a place that leaves a strong mark on culture and village beliefs. Researching the history of Luong Xa communal house relics brings us valuable resources in understanding the customs, traditions, and beliefs of the Vietnamese people. The festival has a sacrificial procession according to the long-standing custom of the local people and is held on March 8 (lunar calendar). Currently, the Festival has been completed by the Department of Culture, Sports and Tourism with its Profile and Festival script and has been organizing the Festival according to the script since 2014. Source Electronic information portal of Kim Thanh district, Hai Duong province.
Hai Phong
3256 view
Rating : National monument
Kien Lao Communal House, also known as Xuan Quang Communal House. Kien Lao Communal House worships two gods who contributed to the country in the 10th century: Dao Cong Chieu and Dao Cong Hien. Kien Lao Communal House is located on a cool plot of land with the shape of a dragon flanking a tiger. Surrounded by bright green rice fields and shady trees, the communal house has an ancient and quiet look. Nguyen architecture, main side facing south, overlooking the rice fields near the village. The imposing three-entrance gate (renovated by the local government and people in 1992), the main gate rests on two pillars, with a double roof on top, and the two side gates are built with two overlapping roofs. The communal house is built in the shape of the letter Dinh (丁) and includes 5 front rooms and 3 back rooms. The roof is tiled, on the roof are two pincers, in the middle of which there is an image of two dragons flanking the moon. The two front gables and the back gables are embossed with tiger talismans. At the side door of the harem, there is also the words "Dong Khanh, the first year of the year, the year of the Dog, the first month, the first month, the first day, the first day, the first day of the year when the commune restored it," clearly showing that the communal house was built in 1886, restored in the 3rd year of Bao Dai's reign (1928). ) The main palace is decorated with hammock doors, on both sides are hung parallel sentences and placed a set of painted and gilded octagons. In the forbidden palace, there are two thrones and two bright red and gilded palanquins of the two Tutelary Gods The village also has an altar to worship Tran Hung Dao. This place still preserves 2 genealogies and 12 decrees conferred by the Le and Nguyen dynasties on the two village Gods and many valuable antiques and worship items such as: The altar of the Nguyen Dynasty, 3 great paintings, 3 parallel sentences, 3 incense burners of the Nguyen Dynasty... In front of the three-entrance gate, there is a yard more than a hundred square meters wide, with a green stone pillar as a flagpole next to the surface of a semi-circular lake about 500 meters wide. square meter. Cool and harmonious landscape, good feng shui. Based on historical values, in 1995, Kien Lao Communal House was recognized by the State as a national historical relic under Decision No. 2223-VH/QD dated June 26, 1995. The annual festival is held on November 15 (lunar calendar). There is a very special custom of worshiping gods and processions imbued with traditional culture that is admired by people and tourists. Currently, the Festival has been completed by the Department of Culture, Sports and Tourism with its Profile and Festival script and has been organizing the Festival according to the script since 2012. Source Electronic information portal of Dai Duc commune, Kim Thanh district, Hai Duong province.
Hai Phong
3393 view
Rating : National monument
Muong Pagoda (Quang Khanh Tu) in Ngu Phuc commune is a major religious center of Kim Thanh district, Hai Duong province. The pagoda has experienced 7 centuries of existence, recorded in the history of Vietnamese feudalism. In addition to its rich history, Muong Pagoda is also known as the pagoda with the most towers in Hai Duong province. Having gone through the devastation of the war, the pagoda still retains a rather massive system of stone towers from the Le and Nguyen dynasties. Quang Khanh Pagoda is a large temple in the country belonging to the Truc Lam Zen sect. The pagoda dates back to the Tran Dynasty in the early 14th century and was presided over by Hue Nhan, the National Master Vuong Quan Vien. Hue Nhan was also a physician with talent in treating eyes. King Le Thanh Tong once came to the pagoda and wrote poems at the relic. The pagoda is the revolutionary and resistance base of the Party Committee and the province. By 1947, the pagoda still had 120 rooms, 32 stone and brick towers, about 50 Buddha statues and many antiques. This is the temple with the most rooms in the province. At the same time, it is the largest Buddhist religious center in Kim Thanh district. The pagoda was ranked as a national monument in 1992. Every year the festival is held for 3 days: the 24th; The 25th and 26th day of the first lunar month (lunar calendar) are often called Non Dong Festival. Due to the advantage of water transportation and being a famous ancient temple in the area, it attracts several thousand tourists to the Pagoda Festival every year. Source Electronic information portal of Kim Thanh district, Hai Duong province.
Hai Phong
4165 view
Rating : National monument
The communal house is in Ngoc Lam village (Quynh Goi village), Tan Ky commune, Tu Ky district, Hai Duong province. The communal house worships the tutelary god Cao Son Dai Vuong, during the reign of Hung Due king, who fought against the Thuc invaders and kept the land peaceful. The communal house was built in the 17th century and restored many times in 1686, 1692, 1750, 1756, 1772, 1838, 1899. During the war, the communal house was severely damaged. The current communal house includes 5 rooms for Tien Bai, 3 rooms for Hau Palace, and 6 rooms for Giai Vu. In the communal house, there are still many antiques, including 9 steles dating from the 17th to 18th centuries, 15 steles from the Le Trung Hung and Nguyen dynasties. Annual festival from February 8 to 13 of the lunar calendar. The communal house was ranked as a national historical and cultural relic in 2001. Ngoc Lam village communal house is currently somewhat no longer in its original state due to time, but with the efforts of the village government as well as the people, they have restored the current status and preserved the traditional and ancient features of Quynh Coi Communal House. relics bearing the essence of the homeland "Banyan Tree-Water Well-Cathedral". Source Electronic information portal of Tu Ky district, Hai Duong province.
Hai Phong
3401 view
Rating : National monument
Located in the unique historical and cultural relic complex of Phuong Ky commune, Khanh Linh pagoda is in Tan Hop village (formerly Tu Ky Ha village) about 20km from the center of Hai Duong city, 5km from the center of Tu Ky district. Nam, has been classified as a national historical relic since 1999. There is a system of statues carved from jackfruit wood, painted with gold, dating back to the 18th century, and a system of finely sculpted stone steles. Crafty, Khanh Linh Pagoda is considered a work of artistic character with heroic historical value. According to the stele kept at the pagoda, Khanh Linh Pagoda was built during the reign of Thieu Long of the Tran Dynasty in 1258. At first, the pagoda was small, with a thatched grass roof. In the following dynasties, people contributed money to repair, roof tiles, buy statues, and cast bells, creating a spacious and splendid scene as the poem described: "Khanh Linh Pagoda is majestic and towering/Sacred land." Talented people / Long-lasting prosperity / Front hall built in front / Glorious high roof / Shocking sound / Venerable Buddha ceremony...". The stele recording the restoration and embellishment shows that people's contributions amounted to 1,838 mandarins, 27 stone pillars, 8 columns and wooden diaphragms. In particular, the person who contributed the least amount of money was 1 coin, the person who contributed a lot up to 120 coins and a stone pillar. Having gone through wars and harsh natural disasters, the pagoda now has 5 front halls and 3 back halls. The front hall has a structure in the style of a stack of 6 trusses, with floral motifs carved into the ridges. Supporting the entire rafters and roof are 12 ironwood columns, 32 cm in diameter. Stone military columns include two types: round and square. Square columns are arranged in front of the door, round columns are behind. The names of the donors are written on the stone pillars. The central compartment is connected to the 3 harem compartments by a truss for fighting cocks and husbands. The harem court has 6 ironwood columns, 29 cm in diameter and 6 stone columns. The altars placing the statues in the three back rooms are all built of bricks. The pagoda's system of Buddha statues, stele, and stone incense sticks is imbued with sculptural art that represents the truth, goodness, and beauty of Buddhism. The statue system here is all carved from jackfruit wood, lacquered and gilded, dating back to the 18th century. The ancient statues in the temple have many different styles, sitting and standing. The statue is balanced and majestic, reflecting the diligence and meticulousness in its creation. In the temple grounds, there are a number of other supporting architectural works, which are a 3-compartment ancestral house, including statues of two monks who practiced at the temple. In front of the temple door is an orchid garden with many species and sizes that has been cared for and cultivated by abbot Thich Nu Thong Nhan for nearly 10 years. That scene created tranquility for the temple. In particular, the pagoda also preserves the steles "Renovating the front hall on the upper floor" and "Khanh Linh Tu Biography"; "Epic of the Ten Directions of Merit" and a stone incense stick with sophisticated decorative motifs. In 1999, Khanh Linh Pagoda was ranked as a national monument by the Ministry of Culture and Information (now the Ministry of Culture, Sports and Tourism). Source: Electronic information portal of Phuong Ky commune, Tu Ky district, Hai Duong province.
Hai Phong
3396 view
Rating : National monument
Dong Duong Tu is the Sino-Vietnamese name of Dong Duong Pagoda. People here often call Lam pagoda by name, because the pagoda is located in Phuc Lam village, Minh Duc commune. Local people also often call it by the name Trong pagoda, to distinguish it from another smaller pagoda behind the village, called Ngo pagoda. Trong Pagoda, also known as Dong Duong Tu, means the temple faces East, the direction of the rising sun. And the Outer Pagoda is called Man Nguyet Tu, the pagoda faces the moon, when the afternoon sun sets. Talking about its name, we can see that there is a balance and symmetry in the naming of the temple, in the harmonious architecture of the ancients. Like other temples in Vietnam, Dong Duong Tu is a temple worshiping Mahayana Buddhism. The pagoda was built during the Le Dynasty (around 1600) and with the contributions of money and merit from the Le Dynasty general Nguyen The My, who had the merit of engraving the merit stele at the pagoda. According to the stele engraved in the year of Duc Long (1632), it is said that Duke Nguyen The My's name was Van Phuc, and the king trusted and loved many important responsibilities in the inner government. When foreign invaders invaded, he was appointed marshal by the king to lead the army to defeat the enemy, bringing peace to the country and his homeland. He was greatly rewarded by the king. Although his fame was glorious everywhere, he still lived humbly and richly without being arrogant. He spent money to renovate Indochina Pagoda with 54 very spacious rooms. His merits were engraved on the stone stele, currently kept at the Hai Duong Museum, and he was enshrined in a statue at the Indochina pagoda area. Indochina Pagoda was recognized by the state as a cultural and historical relic in 1994. Source: Electronic information portal of Minh Duc commune, Tu Ky district, Hai Duong province.
Hai Phong
3647 view
Rating : National monument
Phu Loc Pagoda, whose abbreviation is Ma Ha Pagoda, or Phu Loc Tu, is one of six relics of Cam Vu commune, Cam Giang district, about 12 km northwest of Hai Duong City. As a place with a convenient transportation location, since previous centuries, Phu Loc has soon become the center of economic and cultural exchange of the region, on that social basis, many traditional cultural institutions have been established. life and development. The pagoda was built in the early Le dynasty (15th century), which was also a period of brilliant economic and cultural development in local history. The pagoda was greatly restored in the 19th century (1898), with the relatively massive. Over the years of hardship, war and social events, the pagoda still has a nail-shaped (J) architecture including 5 front halls and 3 back halls, preserving the ancient architecture. Located on a spacious and flat piece of land in the center of Phu Loc village, in front there is a large pond, along the pond people plant many types of green fruit trees, the ancient pagoda roof is hidden in the groves of trees, creating a utopian landscape. quiet, solemn. The front hall is built with a dome, reinforced with pillars, has a frame structure with overlapping ridges, a chamfered roof top with a stylized "Tho" engraved on it, rectangular in shape, the husband's children are carved with fire swords, in the style of the Later Le and Late Dynasties. stylized lotus. The ends of the seven front halls touch the canal with dragon leaves wrapped around them, the swords and beards of the dragon's hair are shaped like clouds and fire blades. On the striped part is a system of dong leaves, decorated with "Dragon leaves" "Bamboo turning dragon" interspersed with playing weasels. In general, the monument has undergone many renovations, so the original architecture has been slightly changed, the two gables are in the style of gong stands interspersed with piles of beams, and the panels are carved with the theme of the four sacred animals. Connected to the front hall are 3 back rooms built with truss and pillars, with simple truss and buttress architecture. Phu Loc Pagoda worships Buddha according to the Mahayana sect. Before the August 1945 revolution, the pagoda had a very large scale, with up to 50 statues and many sacrificial offerings. Particularly, the system of worship statues in the upper hall has 6 layers and most The statue was created in the 18th - 19th centuries. In addition, in the side rooms there are statues of Quan Am To Son and Quan Am Tong Tu, according to Buddhist scriptures, these are the two forms of Avalokiteśvara. In the front hall, worship statues are arranged as follows: On the left side is the place to worship Saint Hien and the statue of Trung Evil, on the right side is the place to worship Duc Ong and the statue of Khuyen Thien. On both sides of the gable are worshiped the Vajra Prajnaparamita, Thai Thuong Lao Quan and Bodhidharma. The new Mother Goddess Church was built by the people in 1996, worshiping Mother Thoai, Mother Thien and Mother Thuong Ngan according to the belief of worshiping natural supernatural forces of the ancient Vietnamese people. With 35 statues of all kinds, most of which were created in the 18th - 19th centuries, Phu Loc Pagoda is not only a place for religious activities but also a place to store valuable works of folk sculpture. In addition to the Buddha statue system, Phu Loc Pagoda also retains many other antiques and worship objects such as parallel sentences, great characters, bronze bells, hammock doors, incense bowls... Worshiping Buddha for good luck is an indispensable activity for Buddhist people in Vietnam. On the full moon days and first days of the month, Phu Loc people go to the pagoda to worship Buddha. The offerings to Buddha are only hometown products but clearly show their sincere devotion. In addition, Phu Loc Pagoda also has a number of main holidays as follows: It is the 8th day of the 4th lunar month - Buddha's birthday. In Phu Loc, there is a custom of chanting sutras and holding Moc Duc ceremonies, bathing statues with fragrant leaf water and The statue is made of red silk, the silk is later torn into many small pieces for everyone to pray for good luck. On the 15th day of the 7th lunar month - Vu Lan holiday, a ceremony is held to worship the souls of Buddhists to help and forgive the sins of the dead. In recent years, local people have also held the "Buddha Return" ceremony for the deceased with the meaning of praying for the souls of the deceased to be liberated according to the concept of folk beliefs. Because Phu Loc communal house worships the Tutelary God, during festivals, people always go to the pagoda to worship Buddha and vice versa. Therefore, Phu Loc communal house and pagoda ceremonies have become an indispensable need of the people. here. Phu Loc Pagoda is a Buddhist relic built quite early on a land with a rich cultural history, an ancient architectural work imbued with the art of worshiping the Later Le Dynasty, with typical carvings of images. "Four Sacred Spirits" is incarnated with "Four Precious Elements". The lotus image with many different angles is stylized to create beautiful richness. The Buddha statue system is unique sculptures of the 18th - 19th centuries. The pagoda is also the revolutionary resistance base of Cam Giang district and Cam Vu commune. Researching and protecting relics has the value of demonstrating the revolutionary tradition of local officials and people and educating the younger generation in their responsibility to participate in building and protecting the homeland. With historical and cultural values as mentioned above, Phu Loc Pagoda was ranked at the national level according to Decision No. 04/2001/Quyet Dinh - Ministry of Culture and Sports, dated January 19, 2001. With that scientific and legal basis, along with the awareness of preserving the cultural heritage of the local people, Phu Loc Pagoda will be protected and promoted effectively to meet the aspirations of the local people. Source Electronic information portal of Cam Giang district, Hai Duong province.
Hai Phong
3598 view
Rating : National monument
Long Dong Temple, Nam Tan commune, worships 3 famous academicians: valedictorian of Minh Kinh scholar Mac Hien Tich, who passed the exam in the 2nd year of Quang Huu (Binh Dan, 1086), equivalent to Poinsettia; was selected as an Academician of the Academy, later promoted to Minister of Ministry, was a person with exceptional political talent, and had been an ambassador to Champa in the 4th year of Hoi Phong (1094). Dr. Mac Kien Quan (younger brother of Poinsettia Mac Hien Tich) passed the matriculation exam (year of the Snake 1089) and became an official to the position of Minister of Public Works. Binational Poinsettia Mac Dinh Chi (5th generation of Poinsettia Mac Hien Tich) passed the Poinsettia exam in the year Giap Thin (1304), during the reign of King Tran Anh Tong. The lives of the sages Mac Hien Tich and Mac Kien Quan are rarely mentioned in history, but Mac Dinh Chi has been mentioned in many books and newspapers and also has many anecdotes. Accordingly, Mac Dinh Chi was an extremely diligent, intelligent, and talented man in business and economics. He was the head of the court, going through three generations of kings Tran Anh Tong, Tran Minh Tong and Tran Hien Tong. Legend has it that he was an ambassador twice. With his erudite knowledge, eloquence and skillful behavior of a talented diplomat, he was greatly admired by the kings and mandarins of the Yuan Dynasty and made him a Poinsettia of the Two Kingdoms; "The immortal name of the two countries, the immortal name of the three sages, the valley of eternal happiness".... With its historical and cultural values, in 1995, Long Dong Temple in Nam Tan commune was recognized as a national historical and cultural relic. In 2019, Long Dong Temple was recognized as a provincial tourist destination. Long Dong Temple Festival is held in the Spring (from the 9th to the 11th of the second lunar month) to commemorate the death of Mac Dinh Chi on February 10, the year of the Dog (1346). The festival is imbued with traditional cultural values of the nation, expressing the moral principle "When you drink water, remember its source", contributing to preserving and promoting the nation's cultural heritage. Source Electronic information portal of Nam Sach district, Hai Duong province.
Hai Phong
3319 view
Rating : National monument
Hundred Gian Pagoda is a historical and cultural relic in An Dong village, An Binh commune, Nam Sach district, Hai Duong province. The relic was formed about 1000 years ago, located in a peaceful countryside, near the romantic Kinh Thay river, pure space, moss tiled roof, ancient tower garden and was once a large pagoda. Buddhist center of the country, a school that teaches Buddhist scriptures to many Buddhists. The pagoda is called according to the scale and architecture of the monument. Up to now, it still retains its unique layout, architectural features and many antiques of scientific value. In addition to the name Tram Gian, the pagoda is also called An Ninh, named after the village's place name and the original name is Vinh Khanh pagoda. From Nam Sach town, go towards Binh bridge along Highway 37, reach the intersection turning into An Binh commune (next to the headquarters of the People's Committee of Quoc Tuan commune), visitors follow the commune's main road to An Dong village (away from the headquarters of the People's Committee of An commune). 400m) to reach the ruins. Like other temples, the Hundred Gian Pagoda was built to worship Buddha according to the Mahayana sect, with the idea of spreading Buddhism to everyone to aim for the good values of Truthfulness - Compassion - Beauty, people living together in harmony. peace, start the mind to do many good deeds, stay away from evil, love and care for each other. Mahayana is a "big vehicle" that can carry many Buddhists in practice and together to soon reach the shore of enlightenment. Hundred Gian Pagoda, in addition to worshiping Buddha according to the Mahayana sect, also worships the Zen sect of Truc Lam Tam To (Number of Giac Hoang Tran Nhan Tong (1st group), Venerable Phap Loa (2nd group) and Venerable Huyen Quang (3rd group). In addition, the pagoda also worships monks who took refuge and became abbots at the pagoda, who contributed to the restoration, embellishment and expansion of relics such as: Saint Patriarch Pham Thi Toan (Toan Nuong) who was abbot for 02 years (ordained in 1011, passed away in 1013), was a disciple of Zen master Tu Dao Hanh of the Bhikkhuni lineage. When the Tran dynasty reigned, she was bestowed the title "Trinh Khiet Doan Truc Trai Hoang Quy Phi, High Class Princess". "The next monk to be the abbot was a villager who studied according to the Truc Lam Zen sect, named Nguyen Dieu Quang, and was called To Rau (because he practiced the monkhood and only ate 1 piece of tofu and 2 bunches of vegetables every day). enter at noon). King Le Canh Hung conferred the title "Venerable Monk Luc Zen Elder". The next monk, Vien Giac, from the commune, took refuge and passed away at the pagoda on September 14. The next monk is Vien Tich, who first practiced at Bo Da Pagoda (Bac Giang), then became a disciple of Vien Giac and passed away on June 24, and a number of other monks now have tower tombs behind the pagoda. Not only is it a fairy tale landmark in the region, during the resistance war against the French colonialists and American imperialists, the pagoda was a revolutionary base, a training, meeting and shelter place for local guerrillas and soldiers. In 1965, the pagoda was the warehouse of the 7th branch and the military warehouse of Military Region III. After 1975, a part of the pagoda became the headquarters of the Commune People's Committee, library, radio station, commune traditional house... Currently, the pagoda has returned to being a cultural, religious and spiritual activity spot for the people in the area. . Legend has it that the Hundred Gian Pagoda dates back to the Ly Dynasty (around the 11th century). During the Tran dynasty, general Nguyen Huy Tinh stationed troops at the pagoda to block the Nguyen army from the direction of the Bach Dang River from attacking Thang Long. During the Le dynasty, in the year of Chinh Hoa (1691), King Le Hy Tong repaired the upper palace, in the year Vinh Thinh Nguyen (1705), the year of King Le Du Tong, the king continued to repair the upper palace; In 1740 and 1809, many works in the temple were repaired and renovated. In the 19th and 20th centuries, the Hundred Gian Pagoda was restored on a large scale and uniquely in the style of the Nguyen Dynasty. Currently, the entire campus of the monument is located on an area of 17,977m2, with main works such as: From the East, the bell tower (128m²) begins, with a large and unique scale. On the bell tower in the central space hangs a bronze bell cast in the 2nd year of Thanh Thai (1890), this is a rare bell in Hai Duong province. The bell tower consists of 05 compartments, of which 03 middle compartments have ancient architecture. The two gables are architecturally styled to create the shape of a pan handle. The roof of the match stack is two trusses and columns placed on the upper beams of the structure below. Above the match-stacked roof there are 4 knife heads with reliefs of a flanking dragon and dancing phoenix, and the roof is covered with a dragon at both ends. Roof-top system, soft flowing banks, decorated with stylized lemon flower umbrellas. Behind the bell tower, through a small yard is the main pagoda including: 07-compartment front hall, 16m long, 8m wide. The structure of the trusses is in the style of stacking lotus mats. Details such as main pillars, military columns, seven porches, armpit beams, main pillars, first sentences, pillars, rim pillars, and dou goi are meticulously crafted. The upper beams, lower beams, diaphragms, and rafters are all illuminated. The structure of the horizontal and vertical bracing system is reasonable and tight. The upper palace is 11m long and 8m wide. The carpentry part of the upper palace has the same structure and fabrication as the front hall, but the carpentry details are smaller. The walls are built of Bat Trang bricks, the inside is plastered, the outside is left to smooth woodwork, and the roof is tiled. On the left side of the upper palace are 7 compartments of the Mother Church, 14m long and 4m wide. The trusses are structured in a simple, bridge truss style. On the right are two Guest Houses connected together like a hallway. Behind the upper palace is the Tu An house, with a structure of lines overlapping the top, children-in-law, lotus lines, and intricately carved leaf paintings. The ancestral house is located behind the four graces house. The north of the pagoda has a yard of about 1,000m² with a number of buildings facing the yard such as: tower house, monk's house, inner temple, outer temple and many other auxiliary buildings. Behind the pagoda is a tower garden of 10 pagodas, of which 9 were built during the Le and Nguyen dynasties, one was built in 2003. Hundred Gian Pagoda is a pagoda belonging to the Truc Lam Zen sect, with many public works. The project and the most rooms still exist in Hai Duong province. Every year, the Hundred Gian Pagoda holds a festival on the 11th and 12th day of the 9th lunar month. With great historical, cultural, sculptural, and scientific values of relics and antiques being kept at the pagoda. On March 2, 1990, the relic was ranked as a national historical and cultural relic by the Ministry of Culture and Information (now the Ministry of Culture, Sports and Tourism) according to Decision No. 168/Decision - Ministry Sports Culture. Source Electronic information portal of Nam Sach district, Hai Duong province.
Hai Phong
3344 view
Rating : National monument
Khuc Thua Du Temple is located in Cuc Bo village, Kien Quoc commune, Ninh Giang district, worshiping 3 national heroes of the Khuc family (Khuc Thua Du, Khuc Thua Hao, Khuc Thua My). The temple was recognized by the state as a national historical relic in 2015. The temple is located adjacent to the Luoc River dyke, the temple's face faces south. From outside, enter the temple through the stone bridge, to the festival yard, with two reliefs made of large rocks. The motifs are elaborately carved, depicting the scene of people gathering to follow the Immortal Lord Khuc Thua Du to gain autonomy and live a peaceful, peaceful life. Khuc Thua Du is one of the national heroes who first built the country in the 10th century. Starting his career as a chief of Hong Chau land, now Cuc Bo village, Kien Quoc commune, Khuc Thua Du was the one who built the country. The initial foundations for the cause of independence, building the country's autonomy, ending the feudal yoke of the North in the early years of the 10th century. His children and grandchildren are Khuc Hao and Khuc Thua America continued to follow in his father's footsteps, consolidating independence and implementing government management at the village and commune levels. On July 23, 907, Khuc Thua Du passed away. To commemorate the merits of National Hero Khuc Thua Du, people in the Hong Chau area contributed to building Cuc Bo communal house on a large area of land in the south of the village, about 300 meters from the Luoc River dyke. In 2005, Hai Duong province started construction of Cuc Bo temple to worship three heroes of the Khuc family: Khuc Thua Du, Khuc Hao, Khuc Thua My, right next to the ancient communal house of Cuc Bo village. The project has a total area of more than 57,000 m2, using three main materials: green stone, ironwood and copper. The temple has unique architecture, including many cultural and artistic works such as: Tam Quan, Tien Te, Trung Tu and Harem. On both sides there are Ta Vu and Huu Vu houses, dragon eye wells, stone reliefs, Spirit beast statues, lotus ponds, stone bridges, four pillars... All built according to traditional architecture. The center of Khuc Thua Du temple is called Thuong Dien. Here, the altars are arranged according to standard regulations and have deeply meaningful content. The council board is placed in the middle, with a 4-word horizontal panel inscribed with the words: "Thien Nam Chinh Khi": translated as Khuc family is the righteousness of the Southern heaven. And on both sides is the "Dual Ban" altar, with 2 horizontal panels: on the right "Hero of Hong Chau", which translates to: Hero, hero of Hong Chau land. On the left, "Hung Phong due to": translated means: The heroic demeanor is still here. At Khuc Thua Du temple, there are also art paintings called "Khuc Hoan Ca", depicting peaceful scenes and the peaceful life of residents under the first autonomy; Next to that is the scene of "gathering the righteous" and forging soldiers. The content that this painting conveys is the expression of the martial spirit and desire for peace, stability and prosperity of the Vietnamese people. In the palace area of the temple, there are 3 large bronze statues: the statue of the First Lord Khuc Thua Du in the middle, the statue of the Middle Lord Khuc Hao on the right, and on the left is the statue of the Late Lord Khuc Thua My. The statue of the Immortal Lord Khuc Thua Du with a sword in hand represents the authority and intelligence of the "Lord of the world"... is a statue with depth of charisma, showing the nuances of an emperor, with majestic appearance, superior temperament. Khuc Thua Du Temple is a meaningful project honoring the great contributions of the national hero Khuc family in the pre-independence period. Along with the significance of spiritual culture and tourism, Khuc Thua Du Temple is also an attractive tourist, sightseeing, and historical research destination on Hai Duong land, contributing to educating patriotic traditions and love. National pride for generations to come. Source: Collection of Hai Duong electronic newspaper
Hai Phong
9125 view
Rating : National monument
Hang Temple at the foot of Voi Mountain, An Lao district, Hai Phong city has long been a place to worship Female General Le Chan - who had meritorious contributions with people in the area to establish An Bien village during the Eastern Han Dynasty. After leaving her hometown of Quang Ninh to avoid being forced to become a concubine of the governor To Dinh. Le Chan set foot in the land of Hai An, Hai Phong, recruited soldiers to join them in farming, building a hamlet named An Bien site (today's inner city). Great ambition did not stop there. Disgruntled over the crimes committed by the enemy, causing the people's lives to be miserable and miserable, Le Chan silently prepared his forces, waiting for the day of the uprising. She went to the present-day Elephant Mountain area, gathered soldiers, actively practiced, stored food and herbs, and took advantage of the rugged terrain of the mountains and forests to hide from the enemy. Afterwards, receiving news of Hai Ba Trung's uprising, from the mountains and forests of An Lao, Le Chan contacted and officially brought his army to join the uprising. Due to its good fortified terrain, along with the commanding talent of a talented female general, the Elephant Mountain base quickly developed its forces, in a short time becoming an important base in the Northeast region. During that time, the surrounding area also had many insurgent troops, typically the insurgent army of Mrs. Tran Thi Trinh and her son Ngu Dao in Dai Dien, Tong Thuong Cau, An Lao district, (6km from Elephant Mountain), heard News of Le Chan's reputation contacted the Elephant Mountain base and became a general under her command. Although the uprising later failed and female general Le Chan had to commit suicide to preserve her reputation in the mountainous areas of Lat Son - Ha Nam, An Lao people still remembered her merits and kindness, so after hearing News of the female general's death, people in the area took her to worship in Hang Pagoda. Therefore, Hang Pagoda is also known as Hang Temple - which represents a wonderful combination of Buddhist religion and national hero worship. In the temple, King Thanh Thai still retains the title of female general as "Hoang Ba Long Hoi, Great King, Middle-Class Minister". On the basis of the old Hang Temple, in 2011 the government restored a new temple commemorating the Female General. The Temple of Female General Le Chan is located in the Hang Temple area, where the Buddha, the Holy Mother, the Monsignor and the Princess Thanh Chan were formerly worshiped in An Tien commune, An Lao district, on a large closed campus. more than 4000m2. The main temple has a Dinh-shaped structure with an area of 190 square meters, including five pre-sacrificing rooms and one back room. The front of the temple faces south, looking straight at Highway No. 10, beyond are undulating hills and mountains, the back side is based on a cliff creating a sustainable position. The temple is surrounded by city walls. The ritual gate is made up of 4 large pillars, the 2 tall central pillars at the top are converging purple phoenixes, the 2 slightly lower columns on both sides and at the top are 2 unicorns facing the center. The outside of the ritual wall is embossed with a white horse on the left and a large statue on the right. The renovation and embellishment of the Temple of General Le Chan was completed and put into use, not only meeting the visiting needs of people and tourists while also contributing to preserving the values of the monument for generations to come. next system. Source: Hai Phong Youth Union
Hai Phong
8802 view
Rating : National monument
Xua Temple - Giam Pagoda - Stele Temple is a cluster of 3 relics located in 3 communes of Cam Son, Cam Vu and Cam Van of Cam Giang district. The three relics are very close to each other, worshiping the same founder, the famous Zen physician Tue Tinh, but each place has unique architectural works, creating its own mark and place in cultural and spiritual life. spirit of local people. In December 2017, the cluster of historical and architectural and artistic relics of Xua Temple - Giam Pagoda - Bia Temple was decided by the Prime Minister to be recognized as a special national monument. Giam Pagoda (Diem Quang Pagoda), built in the Ly Dynasty; In the late 17th and early 18th centuries, it was rebuilt on a large and beautiful architectural scale. The pagoda is located on a 2-hectare area of land. The pagoda has a "foreign domestic" style architecture with full works such as: Three gates, Tien Duong, Three jewels, Patriarch's house, corridor, Cuu product tower house, guest house, Sangha house, garden, Dharma garden. monk, teacher Giam. Architects and artisans have created on the pagoda's premises a continuity of items that exalt the ancient splendor and contain many layers of cultural wisdom. Giam Pagoda is a place associated with Tue Tinh's life since he was a child. According to historical documents, Tue Tinh was born around 1330, orphaned at the age of 6, and was raised and sent to school by monk Hai Trieu at Giam Pagoda. During his childhood and early knowledge of medicine, he was nurtured and attached to this temple. The most unique feature of Giam Pagoda is the nine-level lotus court placed in the yard behind the three jewels. The house is 8 m square, 3 floors high, 12 roofs, and has many architectural pieces that still retain the mark of the 17th century. Inside the nine-level house is a nine-level lotus flower court, over 6 meters high, shaped like a regular hexagon, with each side 1.24 meters long. On the nine levels there are 145 Buddha statues. The entire nine-grade structure is linked to a large ironwood pillar in the middle, this pillar is placed on a stone alley, like a ball bearing. On Buddha's day, with just two people pushing, the nine products can rotate gently. The nine-product lotus temple is a unique Buddhist architectural work only found in Vietnam. Currently, in the whole country there are only 3 nine-grade lotus temples that can be rotated, the remaining 2 are in But Thap Pagoda (Bac Ninh) and Dong Ngo Pagoda (Thanh Ha, Hai Duong). Xua Temple, is the official temple built to worship the great physician Tue Tinh in his hometown, now Nghia Phu village, Cam Vu commune, Cam Giang district. It is unclear what year the temple was built, but based on the existing architectural remains, it can be determined that in the 17th century there was a solid temple with delicate carvings. Currently, the relic still has about 50 valuable antiques such as bronze bells cast in the 8th year of Tu Duc (1855), ordained for Tue Tinh in the reigns of Thieu Tri, Tu Duc, Duy Tan, Khai Dinh, Bao Dai... These are evidence of Tue Tinh's illustrious medical career recorded in history. Beer Temple, located in the western field of Van Thai village (Cam Van commune), bordering Nghia Phu village (Cam Vu commune), hometown of the Great Physician Tue Tinh. The temple was built to worship the Great Physician Tue Tinh and the Stone Stele of the Le Dynasty, which is his commemorative relic, so it is called Stele Temple. The Stone Stele currently kept at the Imperial Palace of the Stele Temple is said to have been engraved by Dr. Nguyen Danh Nho according to the prototype of the stele placed on his grave in Jiangnan (China). Stele Temple is not the main place to worship Tue Tinh, but it is most visited by local people, because this place has become a prestigious herbal medicine center. On the occasion of the festival (April 1 of the lunar calendar), many visitors come here to cut herbal medicine as a way to pray for good health. Source: Hai Duong province electronic information portal
Hai Phong
8555 view
Rating : Special national monument
Master Chu Van An's temple is located on Phuong Hoang mountain, in Van An ward, Chi Linh town, Hai Duong province. This place with beautiful scenery is also where many people come to ask for letters every time Tet comes and spring, praying for a new year of good luck and passing exams. Master Chu Van An's name is Tieu An - his first name is Linh Triet, his last name is Van Trinh. Born on August 25, Nham Thin year, the 2nd Trung Hung year (1292) in Van village, Quang Liet commune, Thanh Tri district (now in Hanoi city). He was the first person to make great contributions in spreading and educating Confucian moral thought in Vietnam. He was invited by King Tran Minh Tong (1314 - 1329) to become a private citizen teaching for the Crown Prince. During the reign of King Tran Du Tong (1341 - 1369), because he could not stand the evil tyrants, he gave his official seal and went into hiding on Phuong Hoang Mountain, specializing in teaching, writing books, poetry, and medical research. medicine until death. After Master Chu Van An passed away (1370), a temple was built to worship him at the place where he worked as a teaching house. After 2 phases of restoration, in 2008 Chu Van An temple became a majestic and solemn architectural complex including: three inner gates, three outer gates, lower yard, middle yard, terrace, garden, two houses. dance ceremony, two stele houses, the main temple with bas-reliefs of Dragon and Phoenix playing with clouds and 112 stone steps leading to the main temple. The temple was ranked a national historical relic by the State in 1998. The main temple is located on high, wide ground. According to feng shui, this is the eye of the Phoenix bird. In front of the temple, there is Ngoc mountain as the front altar, behind it there is Phuong mountain as the back temple, on both sides are Ky Lan mountain and Phuong Hoang mountain flanking the temple. The temple was built in the shape of the letter Nhi (二), with 2 floors and 8 roofs, tiled roofs with 8 curved corners, including 5 pre-worship spaces and 1 back palace space. The decorative art in the temple follows the theme of the four sacred animals (Long, Ly, Quy, Phuong) and the four precious animals (Tung, Cuc, Truc, Plum). The painted and gilded robes are decorated with fine art in the image of "dragons flanking chrysanthemums". In front of the temple are a pair of stone dragons with the architectural style of the Tran Dynasty... Every year, at Chu Van An temple, the opening ceremony of spring writing takes place on January 6 with 4 Han Nom calligraphy words: Chinh - Hoc - Thuan - Practice, and 10 National language words: Tam - Duc - Chi - Nghia - Trung - Talent - Minh - Tri - Thanh - Vinh. This is a cultural beauty that has been preserved since teacher Chu Van An came here to open a teaching class. The autumn Chu Van An Temple Festival takes place from the 1st to the 25th of the 8th lunar month (the main festival is on the 25th). Source: Hai Duong province electronic information portal
Hai Phong
8454 view
Rating : National monument
The Mac Dynasty Memorial Area is a complex of historical and archaeological relics alongside newly built architectural works, located in Ngu Doan commune, Kien Thuy district, Hai Phong city. This place is considered the first capital of the coastal people built by the Mac Dynasty. According to historical records, Mac Dang Dung (1483 - 1541), from Co Trai village, Nghi Duong district, Hai Duong town (now Co Trai village, Ngu Doan commune, Kien Thuy district, Hai Phong) was a man of great intelligence and courage. More than others, he was an athlete with a background - Vo Trang Nguyen, and was drafted into the Tuc Guard army. During the period when the Le Dynasty was weak, the generals divided into factions, outside farmers rose up in rebellion, Mac Dang Dung was assigned defending Hai Duong. King Le Chieu Thong in Thang Long capital was rebelled by Nguyen Kinh's rebel army. Mac Dang Dung brought troops back to the capital to save the people, single-handedly quelled the rebellion, and was promoted to the position of Binh Chuong Quan Quoc Duc Nhan Quoc Cong. In June 1527, he was ceded the throne by Le Cung Hoang, founding the Mac Dynasty with the reign name Minh Duc. In 1529, he ceded the throne to his eldest son, Mac Dang Doanh - also known as Mac Thai Tong, retired as Thai Emperor, built the Mac dynasty in Hai Phong today, and ended when King Mac Mau Hop (d. 5th king) was defeated by the Le - Trinh army at the end of 1592. However, the descendants of the Mac dynasty still had a stronghold in the Cao Bang area to fight against the Later Le dynasty until 1677 before completely losing it. The Mac dynasty existed for 65 years and experienced 5 kings: Mac Dang Dung (1527 - 1529), Mac Dang Doanh (1530 - 1540), Mac Phuc Hai (1541 - 1546), Mac Phuc Nguyen (1547 - 1561) and Mac Mau Hop (1562 - 1592). Under the Mac dynasty, Vietnam's economy, culture, and society had many achievements recorded in history. That was the prosperous time of markets, bustling ports, and flourishing folk culture. Security and order, strict discipline. Regarding the economy, the Mac dynasty did not follow the policy of "respecting agriculture and inhibiting trade" like the early Le period, but had a very open policy with domestic and foreign trade, developing commodity production, and trading the domestic market with other countries. foreign. Blue and white ceramic products of the Mac Dynasty in Bat Trang and Nam Sach are unique and sophisticated, exported to many countries in the region. Regarding culture, the Mac dynasty always focused on examination policy, training talented people for the country (including for women), opening an Association exam every 3 years. To remember the gratitude of the Mac family as well as preserve the cultural and historical values of the Mac dynasty, in 2009, the Mac Dynasty Memorial Area was started to be built in Co Trai village. Accordingly, correctly assessing the position of the Mac and Duong Kinh dynasties, the Ministry of Culture and Sports decided to rank the monument, recognizing "The Mac family street in Co Trai, Kien Thuy district, Hai Phong as a historical relic". History, National Culture” in 2004. The Mac Dynasty Memorial Area has a quite typical and unique artistic style for a Vietnamese feudal dynasty. The common point that is easy to see in the architecture of the relic site is the wooden architecture, including the main Dien house, the Ta Vu and Huu Vu houses, the large gate, the images of Nghe, Lan, and Dragon decorated quite sophisticatedly, using stone materials. Monolithic. Although most of the statues no longer have as much wooden architecture as before, the core inside has not changed. The altar statue is made of jackfruit wood, painted in gold, simple with soft but very strong features creating solemnity. The art of stone stele is also extremely unique like the stele at Tra Phuong Pagoda. The large dragon statue of the Main Palace is made of monolithic green stone, with an evenly curved body. The dragon statue has the soft appearance of a Ly Dynasty dragon. The main hall of Tu Duong includes the front hall (7 compartments), incense burner (bloom tube), and the harem (5 compartments). Next is the bridge across the semicircular lake to Ngu Tien Mon, considered the "door" of the Mac dynasty. The five front gates include the outer gate and the inner gate with a structure of 4 pillars, 3 compartments, 2 floors, and 4 roofs, creating a sacred and solemn space. The two memorial buildings are located parallel to each other, this is where tourists from all over stop to rest and prepare to pay their respects before going to offer incense in the main hall. According to Eastern concept, the dance house is also a place to shelter people from rain and sun, referring to the protection of the Mac family for generations of descendants and tourists. Decorated on the statue's robes, on the statue's pedestals are countless variations of Dragon, Snake, Crocodile, Turtle and other themes such as images of the sun, wine gourd, moon face... Those images are decorated on bricks and stones, into steps, but most often on stele and worship statues. In the main hall there are many worship objects and antiques. From the vase with the image of a one-pillar pagoda and the familiar crane in folk songs to the giant bell weighing 1,527kg, the bronze gong with the image of two dragons engraved in relief. All are solemnly placed in the main hall. Especially the Dinh Nam Dao, the sword that once accompanied King Mac Dang Dung into battle and "won hundreds of battles". Up to now, the age of this treasure is 500 years old. On January 15, 2020, Dinh Nam Dao bar was recognized by the Prime Minister as a national treasure and brought to the Mac Dynasty relic site. Besides the historical values and unique architecture here, the Mac Dynasty Memorial Area has great humanistic value to educate the younger generation about national pride. Every year, at the beginning of the new year, the Spring Opening Festival is solemnly held here. Attending the Festival were the Vietnam Mac Clan Council, the Hai Phong Mac Clan Council, the Mac Family Liaison Committee of Hanoi City, the Co Trai Family Council and descendants of the Mac family branches, of Mac origin in the city and thousands of people. Thousands of domestic and international tourists and thousands of excellent students from the city's schools, to commemorate and pay tribute to the Emperors of the Mac Dynasty, and at the same time educate the young generation about love of learning. Thereby fostering historical knowledge, awareness of preserving and promoting thousands of years of historical culture and educating patriotic traditions for today's children and grandchildren. Source: Multilingual Foreign Affairs Information Portal of Hai Phong City
Hai Phong
8325 view
Rating : National monument
Thuy Tu Temple belongs to Thuy Tu village, formerly known as Ngoc Phuong village, Thuy Duong commune, Thuy Nguyen district, Hai Phong city. Thuy Tu Temple and other relics of Thuy Duong such as: Thuong communal house, Ha communal house, Luong Duong temple, Chim Phuong communal house (Hoa Binh commune) form a cluster of historical relics to remember the achievements of the four sons of the Pham family. Participated in fighting the Tong invaders in the 10th century (981) under the leadership of Le Dai Hanh. At that time, Thuy Duong commune had a family named Pham, who had four children. They are Pham Quang, Pham Nghiem, Pham Huan, and Pham Thi Cuc Nuong. They are two pairs of twins. When Mr. Quang and Mr. Nghiem were 18 years old; Mr. Huan and his 15-year-old sister Cuc Nuong lost both their parents. The four Pham brothers buried their parents in Ma Thuyen field, east of the site. When the Song army followed the Bach Dang River to invade our country, the king sent troops to defeat the enemy. The imperial army arrived at a high mound in Thuy Duong district and was warmly welcomed by the villagers. Especially the old people in the village told the king that there were 4 brothers and sisters of the Pham family who were all respectful and talented in martial arts. The king called all four Pham brothers to fight the enemy. Obeying the king's command, all four brothers happily paid homage to their ancestors and parents and then came to pay their respects to the king. Seeing that all four Pham brothers had unusual appearances and were good at martial arts, the king was happy, gave them titles and sent them to fight the enemy. After the victory, the four Pham brothers were all awarded titles and asked the king to let them visit their parents' and ancestors' graves and reward officers and villagers. The four invited the elders to the party and gave 300 denarii in money to show their gratitude. After the four Pham brothers died, the people of the villages built temples. Ngoc Phuong site (now Thuy Tu village, Thuy Duong commune) worships his eldest brother Pham Quang, Chiem Phuong site worships Pham Nguyen, Truong Son site worships Pham Huan and Cuc Nuong. The people of 3 pages all organize traditional festivals every year from the 9th to the 12th of the third lunar month. Thuy Tu Temple was ranked by the state as a historical and cultural relic in 1991. Source: Department of Culture and Sports of Hai Phong City
Hai Phong
6534 view
Rating : National monument
Mao Dien Temple of Literature is located in Mao village (also known as Mau Tai village), Cam Dien commune, Cam Giang district, Hai Duong province, located right on the new National Highway No. 5, 40km east of Hanoi capital and Hai Duong city. Duong to the west about 16km. The word Literature has a very broad meaning, including the entire field of social sciences; A shrine is a place of worship; Mao means grass, fragrant grass, yarrow; Dien means field. In the past, this place was a very large field with lots of fragrant grass and yarrow, people chose this place to be the Huong exam school of Hai Duong town. During the Tay Son period, the Temple of Literature was moved from Vinh Lai to merge with the exam school. Huong and took the local name to name the relic called Mao Dien Temple of Literature. The Temple of Literature is an architecture of Eastern countries influenced by Confucian culture. This is an architecture built to perform two religious and cultural functions. Regarding religious functions, the Temple of Literature is a place to worship the saints and sages of Confucianism; Regarding cultural function, the Temple of Literature is used as a school, to teach princes, princes and children of mandarins... In addition, the Temple of Literature is also a place to preserve stone steles, Enroll national or local university graduates (PhD or higher). The origin of Mao Dien Temple of Literature is the Temple of Literature in Hai Duong town, established between 1740 and 1800 under the Le and Tay Son dynasties on Van Dau land (Vinh Tuy, Vinh Lai, Binh Giang, Hai Duong). At that time, the Temple of Literature in Hai Duong town was one of the local Temples of Literature built early in the North. The Temple of Literature in Hai Duong town was moved to its present location and additional works were built, completed on July 26, Tan Dau year (1801). The location of the Temple of Literature is on the school grounds of the ancient Thuong Hong palace, located north of the headquarters of Hai Duong citadel, in the Mao Dien area. In the early 19th century, the Temple of Literature in Hai Duong town was restored and majorly repaired under the reign of King Gia Long, from the 6th day of the 10th month of the year of the Tiger (1806) to the 5th day of the 8th month of the year of the Dinh Mao (1807). wall. And 16 years later, the Temple of Literature continued to be majorly restored in the 4th year of Minh Mang's reign (1823). The worshiping arrangement at the relic was previously arranged according to the model of Hanoi's Temple of Literature. Outside the altar, there is a communal altar for scholars from far and near to worship. In the Harem there are 3 altars, the middle worships Confucius; The left side worships Nhan Hoi and Tu Tu; The right side worships Mencius and Zeng Tu - the four most trusted students of Confucius. In 2002, the worship arrangement in the relic changed, in addition to worshiping Confucius, it also worshiped 8 Vietnamese great men, including bronze statues of 5 famous people, Confucius and Tu Nghiep Quoc Tu. Director Chu Van An, Two Nations Poinsettia Mac Dinh Chi, National Hero, World Cultural Celebrity Nguyen Trai, Trinh Quoc Cong Nguyen Binh Khiem. The statues are placed in painted wooden caskets, ornately plated with gold. At the same time, 4 famous people were set up: Great Physician, Thai student Tue Tinh, Vietnamese Math Master Vu Huu, Pham Su Menh Pham Su Menh, Nghi Ai official Nguyen Thi Due. During the Nguyen Dynasty, the Temple of Literature in Hai Duong town was restored and embellished many times. In 1947, the public works of the Mao Dien Temple of Literature were still quite complete. Every year, in the Spring and Autumn periods, the Governor General from Hai Duong town (now Hai Duong city) came to worship very solemnly. In 1994, 1999, 2002, the Temple of Literature was continuously invested in restoration and repair. the entire relic area, returning the relic's original scale and appearance, commensurate with the historical and cultural values it carries, a mark of a piece of civilized Eastern land. Mao Dien Temple of Literature after many times of restoration, embellishment and expansion with a total area of nearly 1 hectare. With the above special values, the Prime Minister ranked Mao Dien Temple of Literature as a special national historical site on December 25, 2017. Source: Department of Cultural Heritage
Hai Phong
5100 view
Rating : Special national monument
The Temple of Trang Trinh Nguyen Binh Khiem is located in Trung Am village, Ly Hoc commune, Vinh Bao district, Hai Phong city, associated with the life and career of Mac Dynasty poinsettia Nguyen Binh Khiem. Trang Trinh Nguyen Binh Khiem (name Van Dat, self name Hanh Phu, nickname Bach Van layperson), was born in the year of Tan Hoi (1491), from Trung Am village, Vinh Lai district, Hai Duong town (now Trung Am village , Ly Hoc commune, Vinh Bao district, Hai Phong city). Taking the exam in the year of At Mui, Mac Dang Doanh's reign (1535), he passed the first doctorate (ie Poinsettia), was awarded the position of Eastern Scholar, and gradually promoted to the rank of Huu Thi Lang and Eastern Scholar. He was listed as the first official, and was given the title Trinh Tuyen Marquis, Minister of Lai, Thai Bao, title Trinh Quoc Cong. In 1542, after submitting a request to behead 18 idolaters who were not approved, he hung up his mandarin hat and returned to his hometown to live in hiding, built Trung Tan restaurant, established Bach Van hermitage as a teaching school, composed poetry, and took the title is a layperson named Bach Van. Am became a talent training center for the country, with many famous names in history books, such as: Phung Khac Khoan, Luong Huu Khanh, Giap Hai... Nguyen Binh Khiem no longer participated in state politics, but the Mac dynasty still respected the country. looked up to him, often asking for his opinion on important matters. He died on November 28, At Dau year (January 17, 1586), at the age of 95. His students worshiped him as Master Tuyet Giang. Trang Trinh Nguyen Binh Khiem was a patriotic Confucian, a talented theorist who was admired by scholars, recorded in history books and passed down in the world for his talent in predicting future destiny (oracle)... He was also a genius. Great poet, left behind over 1,000 poems (620 Chinese poems, 153 Nom poems), typically the poetry collections "Bach Van am thi tap" (in Chinese) and Bach Van quoc ngu thi tap (Nom script). Nguyen Binh Khiem's poetry has high artistic value, profound penmanship, and addresses many issues of life, such as: love for homeland and country, satirical attacks on corrupt people. ... According to some sources, the temple to Nguyen Binh Khiem was built after his death and completed at the end of 1586. According to "Tu Vu bi ky..." founded in the second year of Vinh Huu (1736) is currently preserved at the monument. The temple was built after his death. In 1735, the villagers of Trung Am and Thuong Am contributed to restoring and renovating the temple for worship. In 1928, the temple continued to be restored with architecture the word "nail", imbued with the artistic style of the Nguyen Dynasty. In 1991, on the occasion of the 500th birth anniversary of Nguyen Binh Khiem, the monument was repaired, restored, expanded, a monument was built, a square was established, and a lake was built for sale. moon, with the current scale and landscape. Nguyen Binh Khiem Temple is located in the middle of a large space, facing East, in front is a lake; To the north is the dyke and the Tuyet Giang stream; The East side overlooks the vast ocean; The south is the village; the West with green rice and tobacco fields. Nguyen Binh Khiem Temple has a total area of 91,500.7m2 (area I: 3,137.5m2, area II: 88,327.2m2), including the following items: Nguyen Binh Khiem Temple; Temple to worship Father and Mother Nguyen Binh Khiem; Bach Van Am; Trung Tan restaurant; Kinh Thien Pen Tower; Mr. Nguyen Van Dinh's grave; squares, monuments. With special and typical values, the historical relic Nguyen Binh Khiem Temple (Vinh Bao district, Hai Phong city) was ranked by the Prime Minister as a special national relic on December 23, 2015. Source: Department of Cultural Heritage
Hai Phong
5087 view
Rating : Special national monument
Con Son - Kiep Bac relic is located in Chi Linh city, Hai Duong province, recognized as a special national relic in 2012. This place includes a complex of historical relics related to glorious victories. Three times, the army and people of the Tran Dynasty defeated the Yuan Mongol invaders in the 13th century and in the 10-year resistance war of the Lam Son insurgent army against the Ming army in the 15th century. This is a place associated with the lives and careers of national heroes Nguyen Trai and Tran Hung Dao along with many cultural celebrities of the nation: Tran Nguyen Dan, Phap Loa, Huyen Quang... Highlights of the relic site These relics are Con Son pagoda and Kiep Bac temple. Con Son Pagoda in Cong Hoa ward, Chi Linh city, is one of the Buddhist centers of the Truc Lam Dai Viet Zen sect founded by Dieu Ngu Giac Hoang Tran Nhan Tong in the 13th century. The pagoda's architecture is in the style of Gong script, including Tien Duong, Thieu Luong, and Upper Dien, which is a place to worship Buddha, including Buddha statues from the Le Dynasty up to 3 meters high. The road to Tam Quan is paved with bricks, running long under hundreds of years of weathered pine trees interspersed with lush, dark green lychee canopy. The three-entrance gate was renovated in 1995, in an ancient style, with 2 floors and 8 roofs with stylized floral and rattan motifs of the architectural art of the Le Dynasty. Nguyen Trai Temple, construction started on December 14, 2000, on a land area of nearly 10,000 square meters, at the foot of Ngu Nhac Mountain, located in the Thanh Hu Dong area and near the place where Mrs. Tran's temple used to be in the past. Thi Thai, Nguyen Trai's mother. On the right side is the Con Son stream flowing from North to South, winding from right to left, embracing the Temple area. The main temple leans back on To Son, on both sides leaning against the Ngu Nhac and Ky Lan mountain ranges, the left is Thanh Long and the right is White Tiger. In front there is a large lake, next is Truc Thon mountain opposite Phuong Hoang mountain. In the distance is the An Lac mountain range. Kiep Bac Temple is located in the two villages Duoc Son and Van Kiep, Hung Dao commune, Chi Linh city, and is the place to worship Hung Dao Dai Vuong Tran Quoc Tuan. Kiep Bac is the compound name of two regions: Van Yen (Kiep village) and Duoc Son (Bac village). This is an important relic in the Con Son - Kiep Bac relic area. The Kiep Bac temple area is a rich valley surrounded by the Dragon Mountains on three sides, and Luc Dau Giang on one side. Mountains form a posture of flanking dragons and tigers, and rivers form spacious halls. In front of the temple there is a large gate with three magnificent and massive doors. On the front of the gate, there are four words "Hung Thien Infinity", below there are 5 words "Tran Hung Dao Vuong tu". In the 13th century, this was where Hung Dao Dai Vuong Tran Quoc Tuan established a base, stored food, and trained soldiers in the resistance wars against the Mongols. In the 14th century, his temple was built here and was the place to organize annual festivals to offer incense to commemorate the hero of the Vietnamese nation, who had great contributions to the country and was revered by the people. is Saint Tran. Source: Hai Duong province electronic information portal
Hai Phong
5031 view
Rating : Special national monument
Phu Xa Temple (Dong Hai ward, Hai An district, Hai Phong city) worships Hung Dao Vuong Tran Quoc Tuan, a famous general of the Tran dynasty who made great contributions in the resistance war against the Yuan-Mongol invaders, 13th century. When he died, the people honored him as "Holy King". Local folk legends say: here, Tran Quoc Tuan set up many food warehouses, preparing for the Bach Dang campaign in 1288, and at the same time, a reward ceremony for soldiers with meritorious service took place before pulling the troops back. Van Kiep base. At the location of the ancient temple today, people also worship a local woman named Bui Thi Tu Nhien, who was responsible for taking care of military food and providing logistics for the Tran Dynasty's army at that time. Legend here also says that when the enemy was defeated, Ms. Bui Thi Tu Nhien and the villagers took care of production and building the village. As a result of the flood in the year of Canh Than (1320), the village was destroyed and people had to leave for other places to make a living. When the water receded, the villagers returned and began to restore the village. Ms. Bui Thi Tu Nhien mobilized people to repair the temple worshiping Tran Quoc Tuan. Phu Xa village was originally called Phu Luong, but during Tu Duc's reign (1848-1882), to avoid the name of her husband Bui Thi Tu Nhien, it was changed to Phu Xa. From the original small temple made of bamboo, thatch, and cork leaves, after many renovations, Phu Xa temple today has become a majestic architectural work of domestic and foreign style, with decorative artistic touches. The engravings and drawings bear the mark of the Nguyen Dynasty style of the late 19th and early 20th centuries. According to folk tradition, "The August anniversary of my father's death" is the 20th day of the 8th lunar month every year. The villagers prepare offerings and guard Saint Tran and Mrs. Bui Thi Tu Nhien solemnly to welcome people from all over. attend. Phu Xa Temple was ranked as a national monument in 1990. Source: Hai Phong Youth Union
Hai Phong
4981 view
Rating : National monument
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