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Relic point Vietnam

Phu Tho

Bao Ngan Pagoda

Bao Ngan Pagoda is located in Song Lo commune, Viet Tri city, Phu Tho province. Bao Ngan Pagoda is an ancient pagoda. Legend has it that it was originally a manor house of King Hung's daughter, and was built by the Patriarchs into a Buddhist temple, a place of spiritual warmth for the Buddhist population of the entire region. vast. Through the ups and downs of time, the temple has become a ruin. From the ancestral home of Huong Pagoda - Ha Tay, and being assigned by Buddha to Bao Ngan Pagoda, Venerable Thich Minh Thuan, step by step, persistently created both the material and spiritual foundations of the pagoda, while also developing a mind of indifference. hesitate to make efforts to contribute to the Dharma propagation industry in Phu Tho. Initially, the Master built temporary shacks, then step by step built a lecture hall, guest house, monk's house, Patriarch's house,... solid and majestic. Truong An retreats, retreats and festivals are still held here. Like bees returning to the hive, Buddhists continue to practice and study in increasing numbers. This place has become a famous Gia Lam place in the region. Bao Ngan Pagoda has architecture and interior design following Chan Tinh style combined with Mat Tinh initiates. In particular, it has a palace worshiping Patriarch Padmasambhava - an important patriarch in Tibetan Tantra. Venerable Minh Thuan, one of the outstanding Dharma disciples of Patriarch Vien Thanh, is known as the person who brought Esoteric Buddhism back to Vietnam in 1992. The architecture of Bao Ngan Pagoda follows the shape of the word "Cong", with offerings overlapping each other to form eight roofs. The harem also has twelve roofs, with a floor area larger than 500 square meters and a height of up to 16.5 meters. The pagoda now stands majestically on the banks of the Lo River, near the historic Viet Tri bridge. SOURCE: PHU THO NEWSPAPER

Phu Tho 1702 view

Rating : National monument Open door

Thuong Temple

Thuong Temple's literal name is Kinh Thien Lanh Dien (Heaven Temple on Nghia Linh Mountain). The Temple is an architectural work of the Hung Temple complex relic site located in Co Tich village, Hy Cuong commune, Viet Tri city, Phu Tho province. Thuong Temple was built on the old foundation of the temple worshiping the mountain god, rice god, Thanh Giong..., where Hung kings often conducted rituals to pray to heaven and earth, hoping for good weather and good crops. for all people to be prosperous and happy. There are documents that suggest that Thuong Temple was built in the 15th century. The temple currently has three compartments and a curved tiled roof. The temple door has a horizontal painting: Nam Viet Trieu To (Eternal Patriarch of Vietnam), inside the temple there is a great painting: Tu Ton Bao Chi (Descendants must preserve it). There are also many couplets praising the merits of the Holy Patriarchs. The altar in the temple has tablets of 18 generations of Hung kings (Eighteenth Hung Tu Thanh Vuong Thanh Thanh) and three mountain gods: Tuot Cao Son (Nghia Linh mountain), Ap Son (Troc mountain), Vien Son (Toc mountain). On both sides in front of the temple door are two stone pillars, said to have been erected by King An Duong, swearing to forever preserve the Hung family's country and brocade. Currently, the temple has a Vuong-style architecture, built on 4 levels: Drum bell house, Great altar, Pre-worship and Harem. In the Thuong Temple, there is a great painting titled "Nam Viet Trieu To", meaning the Founder of Vietnam. The temple is made in the style of Vuong lettering, with 3 levels. In front is the ritual gate, then the grand altar (level 1), the front altar (level 2) and the harem (level 3). In the book "Hung Temple, a special national historical and cultural relic", it is written: The Ritual Gate architecture is in the style of the Nguyen Dynasty, with 4 large pillars forming 3 domed gates. The pillars above are covered in the style of lanterns, the four sides are decorated with four sacred animals, and the top of the pillar is covered with 4 lions. Above the roof of the middle gate is decorated with "two dragons flanking the sun", images of two winding dragons. On both sides there are statues of boxers, above is an image of a phoenix and a briefcase. In the grand pavilion, the front altar and the harem structure are built into 3 interconnected levels. The premises have a structure of 3 compartments and 2 rows of columns. Especially the harem is a solemn place, inside there are 4 altars. At the three front altars, there are dragon thrones and tablets placed in the altar. All are elaborately carved, painted and gilded splendidly. On the left hand side of Thuong Temple, there is a stone oath pillar, which is said to have been erected by Thuc Phan when he was enthroned by the 18th Hung King to swear to protect the country that Hung King handed over. Over time, traces of stone columns were buried. In 1968, researchers found ancient stone pillars deep underground in the Thuong Temple area. Since then, the oath stone pillar was rebuilt on the right side in front of the temple yard. In 2003, the stone column was restored to its original design; In 2009, it was renovated and embellished with semi-precious stones with the current design. SOURCE: PHU THO NEWSPAPER

Phu Tho 1846 view

Rating : National monument Open door

Ha Temple

Ha Temple is an architectural work of the Hung Temple complex relic site located in Co Tich village, Hy Cuong commune, Viet Tri city, Phu Tho province. Legend has it that the place where Au Co's mother went into labor gave birth to a sac of a hundred eggs, which hatched into a hundred children. The origin of the Vietnamese community, the meaning "compatriot" (same bundle) originated from here.. When the children were wise Father Lac Long Quan brought 50 children to the sea to build dikes and expand the territory. Au Co's mother brought her 50 children up to the mountains to plant mulberries, raise silkworms, weave cloth, and build a life. The eldest son stayed to be the King, passed down from father to son for 18 generations, all called Hung Vuong, creating a lineage of Dragons and Fairies. The temple was built around the 17th - 18th centuries and is made of two layers in the style of Nhi; This is the place to worship the Hung Kings. Thien Quang Thien Tu Pagoda: Located to the right of Ha Temple, built in the mid-15th century. The remaining architecture today is the altar, eight-roof bell tower, beams, traps, and beautiful carvings bearing the mark of the Le Dynasty. . Next to it is a cycad tree about 700 years old. Legend has it that when Au Co's mother gave birth to a bundle of hundreds of eggs, a bright cloud shone down from the sky. Later, people built a pagoda there called Thien Quang Thien Tu (where the light from the sky shines down), in addition, the pagoda also has another name: Son Canh Thua Long Tu. The Second-style architecture includes the front hall and the back palace, each building has three compartments, 1.5 m apart. The architecture of the Ha Temple is simple, with a bridge truss throughout, with pillows attached to the end of the truss making the back roof longer than the front roof, hitched with pillars, the roof is covered with nose tiles, locally called pig nose tiles. Doc built a wall adjacent to the harem, with reliefs on both sides, one big side, one horse side. The roof is flat and has no artistic decorations. The small, level 4 temple includes 3 small rooms for worship. In front of the temple is a large stone incense burner for visitors to worship. SOURCE: PHU THO NEWSPAPER

Phu Tho 1668 view

Rating : National monument Open door

Thien Quang Pagoda

Thien Quang Pagoda, also known as Thien Quang Thien Tu, is located in the Hung Temple cultural and historical relic site, northwest of Viet Tri city, in Hy Cuong commune, Lam Thao district, Phu Tho province. . In the Hung Temple Cultural and Historical Relic Area, this place stands near the Ha Temple, along with the Trung Temple (Hung Vuong ancestral temple), the Upper Temple (Kinh Thien Linh Dien, Cuu Trung Tien Dien), and the Well Temple, as well as the mausoleum. King Hung's tomb. The original name of the pagoda was Vien Son Co Tu, but later it was changed to Thien Quang Thien Tu. This pagoda is one of the works of the Northern sect. The construction history of Thien Quang Pagoda is closely associated with the Le Trung Hung period. The pagoda's three entrance gates are designed in the style of three compartments and two wings, simulating a stack of beds, clearly demonstrating the fine art of the Later Le period. In particular, the pagoda has an ancient bell, and in front of the pagoda yard is a three-branched cycad tree, which has existed for more than 700 years. In the pagoda, the Buddha Hall is solemn with the presence of statues of Tam The Buddha, Amitabha Tam Ton, Sakyamuni Tam Ton, Avalokiteśvara, Dharma Protector and many other Buddhas. SOURCE: PHU THO NEWSPAPER

Phu Tho 1886 view

Rating : National monument Open door

San Bao Pagoda

San Bao Pagoda is called San Bao Tu (called by the bell), the name among the people is: Phuong Lau Pagoda (called by the relic site). The pagoda looking towards the East - South direction has an architectural layout in Cong style including 03 buildings: Tien Duong, Thieu Huong (waterpipe) and Thuong Dien with a total area of ​​167.4m2. The pagoda was built in the Later Le Dynasty - 18th century and was renovated and embellished in 2014 to meet the spiritual needs and Buddhist ceremonies for good deeds of people from all walks of life in the Commune as well as Buddhists everywhere. Every region has a good mind. San Bao Pagoda is the meeting place and establishment of the Chien Thang Commune Cell, which is where the soldiers in the commune are stationed. San Bao pagoda's ceremonies include: Daily chanting of Buddhist sutras, worshiping of Buddha on full moon days and first days of every month, requiem ceremonies for the souls of the dead, and other religious holidays such as: Thuong Thuong ceremony. Nguyen (full moon day in January), Trung Nguyen festival (full moon day in July). The ceremony to pray for peace in the lower fourth month of the lunar calendar, late spring and early summer is also a ceremony to eliminate pests from destroying crops. Buddha's birthday (April 15) is called the festival of Vietnamese Buddhism, with The ritual of changing Buddha's clothes. San Bao Pagoda is the only religious building in Phuong Lau commune that still preserves a system of ancient statues (37 statues) arranged in the prescribed order of statues. Research on science and history of San Bao Pagoda relics is a valuable relic of religious spirituality and has profound spiritual significance in every person. This is a relic that still preserves the inherent values ​​in a land rich in cultural traditions, all expressed through the system of Buddha statues and the architecture of the Temple. In addition to the number of Buddha statues, the pagoda also preserves 3 stone steles (one side is a Buddha statue, the other is a stele) with typical values ​​during the post-Le period. A bronze bell is 0.95 m high and 0.49 m in diameter. SOURCE: PHU THO NEWSPAPER

Phu Tho 1530 view

Rating : National monument Open door

Du Yen Temple

Du Yen Temple is located in Chi Tien commune, Thanh Ba district. Here the trees are green and the rivers and mountains are charming. In front of the temple is the Thao River singing day and night, accumulating alluvium. Behind the land is like a saddle connected to Son Ngoc mound, surrounded by a lotus pond. According to records, in the early years AD in the Thao Giang area, Thanh Ba district, a good farmer family gave birth to a daughter and named her Hanh Nuong. This little girl was well educated, growing up to study both literature and martial arts. She is a smart girl who studies well, has great beauty, and has a gentle personality. When she grew up, many talented men in the village who approached her refused, not wanting to get dusty in order to keep themselves pure. In the year Hai Ba Trung rose uprising, she invited Hanh Nuong to meet her. Seeing that she was perfect in martial arts, Hai Ba Trung appointed her as the leader of the advance army. After defeating To Dinh's army, female general Hanh Nuong returned to her hometown to hold a banquet to welcome the army, reward the villagers, and hold a festival on a mound by the river in the shape of a white tiger drinking water. Later, people built a temple here and named it Du Yen (meaning a place to play and party), the day of the military year falls on the full moon day of the first lunar month. Since then, every January, the villagers hold a prayer festival to remember her merits and pray for good weather and good things for the family. Over time, Du Yen temple has degraded. People in the area have repeatedly restored and preserved the ancient temple and considered it a spiritual cultural activity spot of the whole region. Since 2003, the temple has been restored and renovated, including more than 12 items with an investment of more than 6 billion VND. In 1993, the temple was recognized by the State as a national historical relic site. SOURCE: PHU THO NEWSPAPER

Phu Tho 1517 view

Rating : National monument Open door

Dao Xa communal house

Dao Xa communal house is located in Dao Xa commune, Thanh Thuy district, Phu Tho province. Dao Xa is an ancient land, with a long-standing culture about 1,800 years ago in Khuat Dong Lieu land, originally called Dau Village, Leather Village, later renamed Dao Xa village. The communal house's origin was built very early in the reign of Le Trung Hung (17th century). In 1924, the communal house caught fire and partially damaged its architecture. In 1930, the temple was restored and embellished. Therefore, the current architecture of Dao Xa communal house bears the mark of the Later Le and Nguyen dynasties. This place worships Hung Hai Cong (the 19th brother of King Hung), who was instrumental in opening up land, teaching people how to manage water, cultivate, raise livestock, and build prosperous villages. This place also worships three water gods, the three sons of Hung Hai Cong. Dao Xa Communal House is made in a triangular style with 3 buildings: Front altar, middle altar and rear palace. The temple's foundation is made in the style of gradually increasing towards the apse, the foundations are 0.40m higher than each other and are separated by an open-air courtyard. The architectural frame is made in the style of four pillars inside a boat; The set is structured in the style of stacking beams, gong stands, and lower sevens. With its cultural and historical values ​​and sophisticated sculpture art, Dao Xa Communal House was recognized as a National Historical Site in 1974 and is one of the oldest communal houses in the province still preserved to this day. now. SOURCE: PHU THO NEWSPAPER

Phu Tho 1693 view

Rating : National monument Open door

Memorial area of ​​President Ho Chi Minh

The memorial area of ​​President Ho Chi Minh is located on a flat land, shaded by green trees, in the middle of a charming midland countryside, in area 12, Van Xuan commune (formerly Co Tiet commune), Tam Nong district, province Phu Tho. The 2,780m2 memorial area includes works such as: welcome gate, memorial house, Mr. Hoang Van Nguyen's house - where Uncle Ho stayed from March 4 to March 17, 1947, on the way to the base. Viet Bac resistance war. The memorial house was started construction in 1994, and in 1995, it was recognized as a National Historical and Cultural Monument. The memorial area of ​​President Ho Chi Minh in Van Xuan commune is a historical and cultural relic marking the image of Uncle Ho in the hearts of the people of the Ancestral Land of Phu Tho, and is a "red address" to educate patriotic traditions and hearts. national pride and sacred feelings of compatriots, comrades, and soldiers towards beloved Uncle Ho./. SOURCE: Central Agency of the Communist Party of Vietnam

Phu Tho 1967 view

Rating : National monument Open door

Temple of King Ly Nam De

Temple of King Ly Nam De Located on spacious land with high terrain at Co Bong mound, Van Xuan commune, Tam Nong district, Phu Tho province, the relics of King Ly Nam De's temple includes many architectural items. such as: Ritual gate, temple, garden,... With a location not far from Hung Temple, this promises to be a unique spiritual tourist destination in Phu Tho. According to history, King Ly Nam De's real name was Ly Bi, and he was talented in literature and martial arts. From a young age, he proved to be an intelligent boy with unusual qualities. He was adopted by a Dharma Zen master and allowed him to study. Thanks to his excellent martial arts skills, Ly Bi was soon promoted to be the leader of a region. At one time, he was an official for the Luong Dynasty, but was very dissatisfied with the cruel colonial officials who exploited and oppressed the people, so he left the official position to recruit soldiers, and associated with many other talented heroes and chiefs to start a military campaign. rebellion against the Luong Dynasty's colonial rulers in Giao Chau. At the end of 541, Ly Bi officially started an army against the Liang dynasty. With the support of many people, Ly Bi's force grew stronger. In January 544, Ly Bi proclaimed himself Ly Nam De, ascended the throne, named the reign Thien Duc, established a hundred mandarins, named the country Van Xuan, and established the capital in O Dien (now Ha Mo commune, Dan Phuong, Hanoi), built Van Tho Palace as a meeting place. Relics worshiping Ly Nam De are currently scattered across the provinces: Thai Binh, Thai Nguyen, Hanoi, Vinh Phuc, Phu Tho... but only in Phu Tho is there a temple at the place where he died and a mausoleum of his family. king. SOURCE: People's Army Newspaper

Phu Tho 1890 view

Rating : National monument Open door

Do Nghia communal house

Do Nghia communal house is located on a high mound of Do Nghia village (Son Vi commune, Lam Thao district, Phu Tho province), built around the late 17th and early 18th centuries, with typical architecture of Doai land. The communal house worships Dai Hai Long Vuong at the same time as Tan Vien Son Thanh serving the Hung Vuong dynasty. The communal house has a total area of ​​4,636m2, the architecture is in Dinh style. The communal house gate consists of one main door and two side doors. The main gate is arched, decorated with decorative motifs, frills, and artistic patterns. In the communal house, there are many very valuable artifacts such as: bowl-shaped palanquin (artistic decoration of the Le Dynasty in the 18th century), literary palanquin (artistic decoration of the Nguyen Dynasty), a set of halberds, 3 trays, and an embossed literary stand. A dragon flanks a moon face, a base carved with the image of a Dragon saddle, a bench decorated with holes in the shape of a dragon, a turtle, a phoenix, a jade genealogy of 16 ordinations from the Le Canh Hung to the Nguyen dynasties... As a unique artistic architectural work, an exemplary image of traditional national architectural style, Do Nghia communal house has been recognized as a national historical and cultural relic according to Decision No. 1539 dated January 27. December 1990 SOURCE: Electronic Information Portal of Ministry of Culture, Sports and Tourism

Phu Tho 1922 view

Rating : National monument Open door

Phuc Thanh Pagoda

Phuc Thanh Pagoda is located on Ngoc Phac Mountain, on the right bank of the Red River. The pagoda currently has two buildings: Thieu Huong and Thuong Dien. According to the stele erected at Thieu Huong Court, Phuc Thanh Pagoda was built in 1145, during the reign of King Ly Anh Tong, in the reign of Dai Dinh. The pagoda was built by Mrs. Phung Thanh, Mrs. Le Thi Xuan Lan, a descendant of King Le Dai Hanh and the fourth wife of King Ly Than Tong. The pagoda is associated with heroic historical events, an example of resilient, indomitable fighting and the noble sacrifice of the daughter of the homeland of King Hung in the fight against the Southern Han invaders. That was the female general Princess Xuan Nuong, a talented general during the uprising of Hai Ba Trung. In the pagoda, there are still many precious artifacts such as the statue of the Monsignor, the statue of Guan Yin Buddha, the statue of the Earth Mother, the statue of the Holy Mother Le Thi Xuan Lan... and some stone relics dating back to the Ly Dynasty. High sculptural value is the stone stele of the 9th year of Chinh Long Bao Ung (1171), the stone for the base of the column, and the stone incense bowl. These relics are rare carvings remaining today. They bear the mark of stone carving art of the Ly Dynasty, expressing the concept of belief and the desire for a peaceful and happy life. SOURCE: Phu Tho NEWSPAPER

Phu Tho 1799 view

Rating : National monument Open door

Notre Dame Temple

Notre Dame Temple (Huong Non, Tam Nong, Phu Tho, Vietnam) is a place to worship Princess Xuan Nuong - who had great contributions in the uprising at the beginning of the common era. She was appointed by Trung Vuong to the position of General of the Left General and Counselor when the Han Dynasty sent Ma Vien to invade our country again. She and her husband, Mr. Thi Bang, fought bravely against the invaders and both heroically sacrificed their lives. Legend has it that the place where the Lady's temple is now is the place where insurgents gathered and was also the place where she died. Admired by her merits, the local people built a temple and she was awarded the title of Duc Ban Canh Dong Cung First Eight Vicious Princess Xuan Nuong. SOURCE: Central Agency of the Communist Party of Vietnam

Phu Tho 1787 view

Rating : National monument Open door

Bong Lai Pagoda

Bong Lai Pagoda (Xa, Ha Thach, Phu Tho, Vietnam) was built on a hill shaped like an elephant. From here you can see all four directions. Bong Lai Pagoda faces southwest, overlooking the Red River. Approaching Bong Lai Pagoda, right from the Red River dyke, we can admire a "Bong Lai fairyland" island in the middle of green rice fields, nearby is a church and ancient houses looming behind the leaves of ancient trees. , floating in the blue sky. The pagoda has beautiful architecture, in the middle of the highest beautiful hill in the area, like a link between heaven and earth, between yin and yang. From the dike to the pagoda, we have to climb a long slope to reach the Buddha's door. A cool, soothing atmosphere of frangipani flowers and ancient foliage creates a feeling of relaxation and calm. According to the epitaph, Bong Lai Pagoda during the Le Dynasty had a foreign interior-style architecture, including 36 compartments, symbolizing 36 hamlets of Ha Thach village. Experiencing the events of social history, the massive Bong Lai Pagoda gradually faded into oblivion. Up to now, the architectural layout of the pagoda is arranged as follows: Outside the pagoda is a redone three-entrance gate (the old three-entrance gate was demolished in 1953) from the gate follows a straight path to the 200m2 red-tiled pagoda yard, on the left. The yard is a newly built 3-room house, with a row of stone steles on the right side. The main architecture of the pagoda consists of two nail-shaped buildings, built on the highest ground. The 5-compartment frontage is 14m long, 3.1m wide, newly built over 20 years ago, the architectural structure is in the style of hitchhiking with walls and pillars. The second building has a 5-compartment upper palace structure, 13.5m long, 8.7m wide. The truss structure of this building includes the first beam and the roof supporting pillars. The upper palace of Bong Lai Pagoda remains relatively intact with its old architectural components. There are 20 large and small wooden columns in total, each one is 3.6 m high and 1.25 m in circumference; The sub-column is 2.5 m high, 1.0 m in circumference; The column body is painted red and painted with a scrolling dragon image. Notably, there are still two rafters from the 17th century, a major restoration during the Chinh Hoa period. In particular, in the pagoda there are many pillar footrests, made of fine-grained green stone, square with each side 0.4 m, on the surface is carved a two-layer lotus flower, each layer has 18 petals, the innermost circle is the place for contact with the base of the column. These are millstones from a major restoration in the 17th century. SOURCE: ENGLISH ONLINE

Phu Tho 2031 view

Rating : National monument Open door

Pho Quang Pagoda

Pho Quang Tu complex includes basic architectural works: Three gates - Bell tower, writer's house, Pho Quang pagoda, stele house, Patriarch's house. The three-entrance gate - the bell tower at the pagoda still preserves the ancient architecture in Phu Tho province, with a 2-storey, 8-roof roof system, elegant curved blades, and a roof shaped like a rolling water dragon. Thuong Luong is engraved with Chinese characters: "Hoang Trieu Minh Mang for two decades" (i.e. Minh Mang's 12th year - 1839), the ends are carved in the shape of a lotus flower. On the bell tower hangs the bronze bell "Pho Quang Tu Chung" and the bronze bell are both dated to the 20th year of Minh Mang - 1839. The book Vietnamese Sino-Nom Inscriptions (Hanoi, 1993) summarizes the content of the engraving. on two stone steles at the temple. A stele created in 1628 said that the pagoda was a famous ancient temple that was damaged, so in 1626, the Tin mandarins, Phu Xuyen marquis Nguyen Hieu Dung, Nguyen Van Vi and about 70 guild masters revived the founder. Organizing the restoration of the upper palaces, burning incense, front hall, rear hall, three gates... A stele created in 1634, engraved with the poem Tang Luat 8 lines by Pham Su Manh in 1377 talks about going on tours in this area. Pho Quang Pagoda was built in the style of the letter "Cong", tiled, and has two levels. The upper level pagoda is 10m high, 7m long, has three compartments, and has an entrance door from the Patriarch's house to the pagoda. The lower level pagoda is 16m wide and 13.5m long, including 5 compartments. Pillar stones come in square and octagonal types with decorations similar to that of a leaf. In the middle of the pagoda there is a great painting and two parallel sentences. Pho Quang Tu has architecture in the style of early planting and simple sculpture. The Three Jewels Court includes: Worshiping Hall, Incense Burning and Main Hall. The wooden structural frame with the roof rafters is made in the style of "Gongs are high, gongs are stacked - beams are lowered". Xuan Lung Pagoda currently holds more than 30 statues made of wood and earth, arranged on pedestals. SOURCE: Department of Tourism of Lao Cai province

Phu Tho 1815 view

Rating : National monument Open door

Xa Loc Temple

After more than 700 years of ups and downs, Xa Loc temple (Tu Xa, Lam Thao, Phu Tho, Vietnam) still retains its inherent value, a place for people near and far to express gratitude for their sacrifices and kindness. The benevolence and patriotism of the brave general Lan Ho Hau - Governor of the Great King. In 1991, Xa Loc Temple was ranked a National Historical Monument by the Ministry of Culture, Sports and Tourism. Today, along with preserving and preserving artifacts in the temple, the local government has actively mobilized social capital to continue repairing and embellishing the temple, promoting its great spiritual significance. not only to the people of Tu Xa commune but also demonstrates the nation's moral principle of "when drinking water, remember its source". Xa Loc Temple's architecture is considered typical of the architectural art of worship in the province. The temple was built in the style of Nhi, including Dai Bai and Thuong Cung. The back of the Temple is based on the position of King Hung's Ancestor Temple on Nghia Linh Mountain, the Temple faces South, surrounded by daffodils. Dai Bai house has 3 rooms, for gongs, drums, worshiping horses, and worshiping chambers with swords, knives, and spears painted in red and gold. This is also a place to worship the souls of martyrs who died in battles to protect their homeland. Inside Dai Bai is the Upper Palace worshiping the god Lan Ho and worshiping Phung Sao Stone and Phung Sao Den - two talented subordinates of the god Lan Ho. On the left and right sides are houses built with simple architecture, three rooms for relatives, villagers, and tourists from all over to prepare for the ceremony to enter the temple to burn incense. What impresses everyone when coming to Xa Loc Temple is that the grounds inside the temple are covered with ancient trees, creating shade and fresh air. In 2017, the Temple was expanded to a campus of more than 1 hectare, with a lotus pond and three-entrance gate, creating a majestic and beautiful look for the temple. SOURCE: PHU THO NEWSPAPER

Phu Tho 1816 view

Rating : National monument Open door

Au Co Mother Goddess Temple

Mother Goddess Au Co Temple, Hien Luong commune, Ha Hoa district, Phu Tho province is a place to worship Mother Goddess Au Co. For a long time, in the minds of all Vietnamese people, Au Co Mother Temple associated with the belief of worshiping Mother Au Co has become a beauty in the cultural essence of the Vietnamese people, a sacred symbol of the origin of Lac children and grandchildren. Hong of all Vietnamese people. During the integration period, researching the value of Au Co Mau Temple associated with developing spiritual tourism about national roots is the direction to preserve and promote the multifaceted value of the heritage. From the center of Viet Tri city, following the Noi Bai - Lao Cai highway for just over an hour, visitors will arrive at Au Co Temple Relic Area, Hien Luong commune, Ha Hoa district. Coming here, every Vietnamese person will not only have peaceful moments, but also be immersed in the legendary space of the image of mother Au Co giving birth to Lac and Hong of Vietnam in a bag of hundreds of eggs. This image has become an immortal image that lives forever in the thoughts, emotions and minds of generations of Vietnamese people. Legend has it that Au Co is a "fairy who descended to earth", not only is she very beautiful, "can speak more than flowers, and is more fragrant than jade", but she also reads carefully, is good at playing the flute, and is fluent in pronunciation. Therefore, she is often called "The First Princess". After marrying Lac Long Quan - son of Kinh Duong Vuong, Au Co gave birth to a sac of a hundred eggs, which hatched into a hundred children. One day, seeing that his children had grown up, Lac Long Quan said to Au Co: "I am a Dragon, you are a Fairy. Although yin and yang come together to form a hundred children, union is difficult because of different lineages. ”. Having said that, he divided 50 people to follow their mother up the mountain and 50 people to follow their father down to the sea, dividing the country to rule for a long time. SOURCE: PHU THO NEWSPAPER

Phu Tho 1807 view

Rating : National monument Open door

Chu Hung Temple

Chu Hung Temple Festival in Am Ha commune, Ha Hoa district is closely associated with the formation and development of the Chu Hung Temple national historical site. This is the place to worship Con Nhac Dai Vuong - the person who had the merit of fighting the enemy to protect the country and region of Chu Hung during the period of the 18th Hung King - Hung Due Vuong. The people of Chu Hung expressed their respect for Con Nhac Dai Vuong, so they submitted a request to King Gia Long to build a temple to worship him with incense smoke forever. In July 1806, King Gia Long officially approved the people of Chu Hung to start construction of the temple, located in the terrain of a sacred land, on the top of Quy Son mountain, far away from the temple gate is Kim mountain peak. Turtle - Golden Turtle. Since then, every Tet holiday, Am Ha people in particular and Ha Hoa people in general organize incense burning ceremonies to pay homage to the deity and open the village festival on January 7 every year. . SOURCE: PHU THO NEWSPAPER

Phu Tho 1731 view

Rating : National monument Open door

Mao Pho temple

Mao Pho village communal house still preserves many precious and valuable artifacts such as 6 ordinations, altars, palanquins, wooden dragon and phoenix carvings dating from the late Le and early Nguyen... Every year, on 4 occasions During the festival, the villagers organize the festival with sacrifices, palanquin processions and special folk games. Mao Pho Temple was recognized as a national historical, cultural and architectural relic in 1993. Mao Pho communal house relic area was built in the Later Le period with an architectural scale divided into 2 parts: communal house and temple. The communal house and temple are located on a large, flat area of ​​land with beautiful natural landscape, facing east overlooking the beach on the banks of Thao River. Currently, the old communal house has been repaired by the people of Mao Pho village, raising the entire communal house architecture to make it more dignified, spacious, and more worthy of the stature of the gods. here. Lady Mao Pho Temple is a place to worship Saint Mother Duyen Hoa, previously established in a separate place. During the construction of the dike road passing through the village, the old temple was moved to a new place in the same campus as the communal house and village temple. In the temple, there is still a statue of the sacred and majestic Holy Mother. Not only were the temples and shrines rebuilt by Mao Pho people to make them more dignified, but on this occasion, thanks to a rare fate, the content of the previously lost Mao Pho village genealogy was brought back to the correct place of worship. its. With the omen of the Phoenix bird holding a jade pen, it flew to the sound of thunder when the Great Kings of Pen Loi Mao were born, allowing contact with the Phoenix family to follow Tien Au Co's mother up the mountain, creating bronze drums that echoed like the sound of the sound. Thunder, on which is engraved the image of a person wearing fur, is the name of the nation that has existed since the time of Hung King. SOURCE: Bach Viet overlaps nine

Phu Tho 1889 view

Rating : National monument Open door

Phuc An Pagoda

Phuc An Pagoda was built in the post-Le Dynasty (18th century), majorly restored in 1972. Currently, the Three Jewels of Phuc An Pagoda still retains its ancient architectural appearance with a Khau-style architectural plan including : The front hall, the left and right corridors and the main hall. The Tien Duong Court has 5 compartments and 2 compartments, 6 rows of pillars with a total of 40 columns, 4 sets of trusses in the middle of the structure in the style of stacking and matching columns, and two pig-shaped trusses, two trusses of stacked structure, and gong stands. The wooden frame is linked with strong beams and beams, with smooth planing, the column bases rest on boulders, and the roof is tiled in the Le period. The unique feature of the Tien Duong building is to create a wider awning to block the sun, wind and rain. There are only 2 curved ends of the front roof, the match neck part is used to carry planks, the wall system is bricked but the two-column columns run long. The corridor connecting the upper temple creates a grandeur for the temple when standing in all directions. The two rows of left and right corridors running parallel connecting Tien Duong and Thuong Dien actually have 3 compartments on each side, but seen from the back there are 6 long, clear compartments. Each row has 3 rows of pillars, the total row is 18 wooden pillars. The architecture here shows the precise and skillful calculations of ancient artisans: With 3 rows of pillars standing on the ground and a row of pillars mounted on crossbeams to form two symmetrical roofs without the usable area being narrow. , the heart of the house is expanded thanks to successive transmissions, which is a traditional Vietnamese technique. The Main Hall is parallel to the Front Hall, arranged higher through a stepped structure. The upper palace consists of 3 compartments, 5 rows of pillars with 18 wooden columns, a unique roof system in the style of "First three, second rear", gable walls, the match neck of the front roof is made of bars to facilitate ventilation. , 4 trusses in the style of "Gongs are high, gongs are high, beams are low - ironwood paneled ceilings represent the tradition of Vietnamese ancient houses. Phuc An Pagoda currently has 22 worshiping statues arranged on both sides of the Front Hall and layers of statues on the Upper Palace level in the Main Hall. Among them, a typical set of Tam The statues has the artistic style of creating round statues in the 18th century. Phuc An Pagoda currently reserves a system of valuable relics and antiques, typically: "Phuc An Tu Trung" bronze bell ", height 0.90m, diameter 0.50m; Khanh dong is 1.05m long and 0.90m wide. The bell and the bell were cast in the thirty-third year of Minh Menh - 1832. The handle of the bell and the bell were made into geometric patterns, and the bell was shaped like a giant leaf. On the body of the bell and the inscription are engraved in Chinese characters the names of those who made meritorious deeds in repairing Phuc An Pagoda. SOURCE: LAM THAO DISTRICT ELECTRONIC INFORMATION PORTAL

Phu Tho 1656 view

Rating : National monument Open door

Ha Bi Trung Communal House

Ha Bi Trung Communal House is located in the system of historical relics worshiping the holy Duc Tan Vien Son, Cao Son, Quy Minh in the Da River and Northern midland region. The communal house was made of thatch, bamboo, and cork leaves right after the villagers moved from the right bank to the left bank of the Da River at the end of the 18th century. By the year of Dinh Hoi, 1827, the communal house was built with nails, ironwood, and masonry walls. , roofing tiles on flat land, looking Southeast. Besides the Tan Vien Son three-position, Ha Bi Trung Communal House also worships the village's Tutelary God who has publicly established a hamlet and Ha Bi site; Also worshiping together are Ban Tho Long Cung, Princess Tien Dung, and Nam Giao Patriarch Si Nhiep - the person who was instrumental in spreading Chinese characters to Vietnam. After a long period of ups and downs and historical events, many construction items of the communal house were damaged. The remaining traditional features are the sesame dui system, diaphragm, set of first verses, 8 pillars, altar to worship three Tan Vien Son saints, incense bowl, two wax candles, flower tubes... and sacrificial rituals. The ceremony is still performed according to traditional rituals. In 2007, with permission from the provincial People's Committee, the people of the village contributed over 500 million VND to repair and restore a number of construction items in the monument. On March 13, people in Xuan Loc commune (Thanh Thuy) and tourists from all over happily received the certificate of national historical relic recognition for Ha Bi Trung communal house. SOURCE: PHU THO NEWSPAPER

Phu Tho 1644 view

Rating : National monument Open door

Historical and cultural relic of Hoang Long Pagoda

Cultural and historical relic Hoang Long Pagoda, An Dao commune - Phu Ninh district is an ancient pagoda dating back more than 300 years, is one of the typical cultural and historical relics, a convergence of historical values, outstanding culture, art, and spirituality, ranked as a relic by the state National level cultural history according to the decision dated January 19, 2001, has been given many policies of attention by the authorities at all levels from the province, district, and temple, creating a mechanism for the Provincial Buddhist Executive Committee to nominate monks. The teacher directly manages and invests in many investment policies to renovate, restore, embellish, and build many new construction items. SOURCE: PHU THO PROVINCE

Phu Tho 1858 view

Rating : National monument Open door

Dinh Dam Xuyen

Dam Xuyen communal house is located in Tien Chau commune, Phuc Yen town, Vinh Phuc province. The communal house worships 3 gods: Cao Bi Hung Thanh Dai Vuong; Duong Uy Phan Vu Dai Vuong and Princess Thuy Tinh Than. The communal house is located on a land area of ​​about 1,000m², with a construction area of ​​220m², facing southwest. The communal house consists of three main parts: the main communal house, the harem and the rear altar, forming the shape of the letter "Cong", a typical architectural style common in ancient temples and pagodas of Vietnam. The communal house is built of ancient square bricks, with a tiled roof with a funny nose and a sword head shaped like a rolled dragon, expressing majesty and tradition. The door system has convenient bars, helping the space inside the house to always be airy. The great communal house (front altar) has 5 compartments, where important ceremonies take place; The posthumous court has 3 rooms, and the harem has 2 rooms, which is the main place of worship. All columns and trusses in the communal house are made of ironwood, a type of wood famous for its high durability, bringing stability to the building. The communal house's wood carving art is very elaborate and sophisticated, taking the theme from the four sacred animals: Dragon, Lan, Quy, Phuong, symbols of prosperity and power. In particular, the carvings on the 4 "ports" in a "loose" style with a rolling dragon image are done in a soft, flexible way, clearly showing the charisma of the dragon rolling up and flying, creating an image lively and strong. In addition, some other carved details on the front and rafter panels such as the scene of "lion playing bridge" and "tung loc and apricot bird" bring vividness and excitement, demonstrating the talent of the artisans. . These details are not only aesthetic highlights but also reflect traditional cultural and artistic values, making an important contribution to preserving and promoting the architectural heritage of Vietnamese village communal houses. The existence of Dam Xuyen communal house is a testament to the creativity and enthusiasm of the ancients, while affirming the importance of preserving and developing national cultural values. Currently, Dam Xuyen village communal house still preserves three altar thrones, including one grandmother's throne and two grandfather's thrones, all of which are exquisitely painted and gilded. In the royal court, three ancient couplets dating back hundreds of years are still preserved. The communal house also has two palanquins, one of which belongs to the Le Dynasty and one belongs to the Minh Mang Dynasty. Notably, the remaining stone artifact is a stele established in the year Tu Duc 1870, recording the stories of the three gods worshiped at the communal house. In addition, the communal house also preserves eight ordinations, most from the Nguyen Dynasty (1810-1924). These artifacts not only have historical value but also reflect the culture and beliefs of the community over the centuries. The artifacts at Dam Xuyen communal house are not only symbols of tradition and respect but also evidence of the continuity of local culture in the flow of history.

Phu Tho 1915 view

Rating : National level relic Open door

Bien Son Pagoda - Yen Lac

Bien Son is a beautiful pagoda of Yen Lac district, Vinh Phuc, ranked as a national historical relic since 1996, located on a high mound of about 1.5 hectares. In the past, the pagoda was called Doc Nhi, local people often called it Bien Mountain with a very strange shape. History books also record that in the 16th year of Thanh Thai's reign, the pagoda was built with Mon-style architecture. Due to changes in time, the pagoda no longer retains its original ancient architectural structure but was restored and embellished in the Dinh style, an architectural style bearing the Nguyen Dynasty's style including 2 worship halls and the main hall. Around the pagoda, the scenery is peaceful and charming, under many years old trees covered with a majestic green color. Coming from Provincial Road 303, visitors will be able to admire the first beauty of the pagoda, which is Tam Quan. The three-entrance gate is designed in the style of a three-storey, 12-roofed dome and is decorated very elaborately and sophisticatedly. From Tam Quan, there is the most straight path consisting of stone steps built along a gentle slope. The pagoda was built according to the internal and external principles. In the temple grounds, there are two long corridors connecting the front house in the front with the back house in the back, forming a rectangular area surrounding the incense burning house. Compared to other temples in the region, Bien Son Pagoda still preserves a system of more than 40 dharma statues and also preserves many valuable treasures and antiques. The statues here are beautifully crafted, gorgeously painted and gilded, meticulously crafted, imbued with the style of the Le Dynasty. A highlight of the Buddhist architecture at Bien Son Pagoda is the 12-ton monolithic bronze stupa, one of the largest stupas in the country, storing many Buddha relics, especially statues. Buddha Emperor Tran Nhan Tong is made of monolithic green jade... In addition, in the pagoda there are other houses such as the ancestral house, which is a place to worship the monks who once lived at the pagoda and have now passed away, and the monk's house, where the monks live. . Located right behind the upper palace, we can admire another extremely unique architecture, which is the rotating tower, also known as the mortar. Today, Bien Son Pagoda has become a stop, sightseeing, and research destination for many tourists on their journey to return to their national roots, and is the place where the Loan River - Bien Mountain festival imbued with national identity takes place. , attracting a large number of local people, tourists, and Buddhists from near and far to worship and enjoy. Source: visitvinhphuc

Phu Tho 2450 view

Rating : National level relic Open door

Holy Mother Temple

The historical relic of Thanh Mau Temple is located in Minh Luong residential group, Thanh Lang town, Binh Xuyen district, Vinh Phuc province. Thanh Mau Temple has a total area of ​​6,705 m2, of which the worship area is 3,114 m2, built a long time ago, and the current architecture still bears bold features of ancient architectural art. The temple has Dinh-style architecture with 5 compartments and 2 compartments and a 3-compartment harem. The overall layout of the relic includes: Nghinh Mon gate, fence system, front house, harem house, left vu house, right vu house, golden house, internal garden system. – Nghinh Mon Gate: includes the main passage and 02 side passages. The main walkway is formed by 02 large bronze pillars, bronze pillars, the base of which is covered with buddha vases, the top of the pillar is covered with fruit and wind wings made of four phoenixes, the body is covered with embossed thread and written with grapes on 03 sides of the pillar. The side walkway includes two symmetrical paths. The walkway is formed by small bronze pillars and a fence system, the side path is covered with 02 floors of small-sized roofs. – The altar house: built in the shape of a rectangle, with the architecture of a boat with a leaf roof, a husband's head, and a gong stand. The whole house is made of wood, has a door system, and a tiled roof. The building has very beautiful cultural and artistic value. – The harem house: built in the shape of a nail, in the style of a boat with a leaf roof, covering the harem part, inside with wooden structures like husband and wife, and a gong stand. – Historical stele: built in 1992, on it is written the preliminary history of the Holy Mother's behavior and the history of the temple. The stele is 1.8m high, the stele is engraved with yellow letters on one front side. The base of the stele sits on top of the turtle's back. The stele's base is made of square stone. – Left house and right house: the project was built quite a long time ago, the building is built in the most typical style. Thanh Mau Temple is the place to worship Saint Mother Trieu Thi Khoan Hoa. Holy Mother Trieu Thi Khoan Hoa belongs to the Trieu family. The genealogy records that "She belongs to the lineage of the 18th King Hung Vuong" and was once the concubine of King Ve Duong Vuong. Since the Trieu family lost their country, she had to hide from the Han army, lived in exile and then came to live at Quang Huu pagoda, An Lang commune, Chu Dien district; Now it is Thanh Lang commune, Binh Xuyen district. She was originally a beautiful and talented girl. She had 5 sons, all 5 of them had heroic talent, more courage than ordinary people, were skilled in martial arts, good at literature, and had a will as wide as the ocean. Legend has it that her 5 children were born in the same bundle due to a dream of love with the Duck god in this country, hatching from 5 eggs. Because of that, she named all 5 children with the word "ap Lang", meaning Duck. Later, the Holy Mother transformed into Minh Luong mound on the 10th day of the 11th lunar month and was buried by the people in Minh Luong area (Minh Luong residential group). When Hai Ba Trung raised the uprising flag, Thanh Mau's five children had grown up, and the five brothers all came to join Ba Trung at the mouth of the Hat River, bringing with them more than 1,000 indigenous people. Assigned by Hai Ba Trung to lead the navy and army to attack Luy Lau citadel, the five Ap Langs commanded the army to destroy a fierce battle, the Crown Prince To Dinh lost greatly and had to run back to the country. Because they accomplished many glorious victories, all 5 of them were rewarded and given titles by Hai Ba Trung, became 5 Great Kings, and named the mother of the 5 brothers "Queen of the country, Princess". Thanks to the help of the five Duck brothers and many other talented generals. In just a short time, the Hai Ba conquered 64 strongholds. Mrs. Trung Trac proclaimed herself king. The uprising of the Trung Sisters and their generals, with the help of the people of the whole country, won brilliantly, and the country returned to peace. Mrs. Trung Trac ascended the throne, her title was Trung Nu Vuong, and all the generals and soldiers were awarded. When the Han enemy returned to rob our country again, under the command of Hai Ba Trung, the five Ap Langs and their generals fought very bravely, but the enemy was so strong that our army could not resist. Hai Ba was defeated at Cam Khe, 5 generals from the enemy's siege brought their bodies and buried them in Hi Son (He village, Phuc Thang ward, Phuc Yen town), the year Ap Lang returned. Hamlet sacrifices his life to preserve the atmosphere. Remembering the merits of the five Ap Langs and the holy mother Trieu Thi Khoan Hoa, An Lang people built temples and shrines to worship. During the reign of King Le Thanh Tong, in the 12th year of Hong Duc's reign (1460-1497), the Holy Mother and 5 deities were worshiped: An Lang commune was divided into Xuan Lang commune, Hop Le commune, Minh Luong hamlet to serve the Holy Mother and 5 Gods. Later, all the dynasties granted beautiful letters and approved four communes (Yen Lan, Xuan Lang, Minh Luong, Hop Le) to serve them. Although Mrs. Trieu Thi Khoan Hoa did not directly stand under the banner of the Trung Sisters, with her upbringing, her five sons became talented and dutiful generals who helped the Trung Sisters gain independence. Later, she was honored by the people and a temple was established to worship her when she passed away. Her title of Mother Goddess is revered among the goddesses worshiped in some villages in Vinh Phuc. Through the dynasties, she was posthumously promoted to the position of Holy Mother in the 9th year of Khai Dinh (1924) and later as the "Higher God of Fortune" worshiped and commemorated by all people with reverence. Currently, in Thanh Lang town, the relics worshiping the Holy Mother Trieu Thi Khoan Hoa and the 5 Apangs are: Thanh Mau Temple (nationally ranked) worshiping the Queen Mother Princess Trieu Thi Khoan Hoa, Xuan Lang Temple (ranked nationally) national rank) worshiping King O Me, Hop Le communal house (provincial ranking) worshiping Quy Minh king and Yen Lang temple (provincial ranking) worshiping Trinh Ap Lang Nga royal king, Supervisor of royal affairs , Cuong guess the great king's avenue. With a respectful heart and remembering the gratitude of our ancestors, on May 11, 2017, the Management Board of Thanh Mau Temple Historical Relics, Thanh Lang town held a groundbreaking ceremony to build a memorial stele to commemorate the Five Great Kings. Vuong at the termite mound where five generals were martyred. Thereby not only contributing to enhancing the beauty of space and landscape for the relic, but also contributing to preserving and educating the tradition of "Drinking water, remember the source", helping today and future generations to always cherish gratitude. the contributions of our ancestors and forefathers to building and defending the country. Source: Vinh Phuc Department of Culture, Sports and Tourism.

Phu Tho 2227 view

Rating : National monument Open door

Dao Xa Temple

Dao Xa communal house is located in Dao Xa commune, Thanh Thuy district; worship Hung Hai Cong (19th son of Lac Long Quan). Dao Xa communal house was built during the reign of King Le Gia Tong - Duc Nguyen era (1674-1675), Nhat-style architecture, a building with 3 rooms and 2 compartments, facing south. The communal house was built over 300 years ago but still retains almost its entire value as a relic. In terms of architecture, it is mainly made of wood and the ancient art of wood carving on a system of lines (12 lines carved on both sides) with the themes: "Dragon Horse Serves", "Four Spirits", "Dragon Roll". Thuy", "Banh Trung", "Banh Giay Lang Lieu"; Classic stories: "Vuong Van Dieu Diep", "Cao Bien Tam Dia", "Dragon Ham Burial", "Mother Dragon Huan Tu", "Gao De Enters the Mandarin", "Ly Ngu Vong Nguyet"... With these values With sophisticated and precious architecture and wood carving art, Dao Xa Communal House was ranked as a national historical relic by the Ministry of Culture, Sports and Tourism on March 13, 1974. Dao Xa Temple (also known as Tam Cong Temple) is about 400m northeast of Dao Xa Communal House. According to the temple's genealogy, this place once marked the water management work of Duc Hung Hai Vuong and was the place where Ly Thuong Kiet trained his navy against the Song invaders and was the place where Ly Thuong's famous divine poem originated. Kiet. Dao Xa Temple has Tam-style architecture. The temple consists of three buildings: front altar, middle altar and back palace, arranged in harmony and balance, creating an elegant and majestic appearance, airy and bright but still quiet and secluded. Dao Xa Festival was recognized by the Ministry of Culture, Sports and Tourism as a national intangible cultural heritage on November 21, 2016. The Dao Xa Festival is a Vietnamese belief inseparable between communal house and temple, and is associated with the legend of worshiping Duc Hung Hai Cong (Lac Long Quan's 19th child) and his wife, Mrs. Trang Hoa, and the three great kings. Son of Hung Hai Cong. Dao Xa Communal House and Temple also worship Mrs. Que Hoa, a princess of the Tran family who was instrumental in entertaining Mrs. Trang Hoa with dancing and singing before giving birth to the three Concubines. Dao Xa communal house and temple festivals are held on lunar days of the year: On the 3rd of the first lunar month, the "Xuan Nguu" dance festival (called buffalo dance), is a religious folk dance, simulating Mrs. Que Hoa's entertainment (humorous) for Mrs. Hung Hai; January 27, 28, 29 is the Elephant Procession Festival; In March, a celebration day is held to commemorate the Holy Father's transformation and a marriage ceremony with Dau Duong village; In April, there is a ceremony to pray for peace; May 5 commemorates the birth of the Holy Father. In particular, Dao Xa has a July prayer festival held from the 9th to the 15th called: "Dedicating to King Ly to fight the Song invaders", with a swimming festival at midnight reenacting the scene of the Ly army. Thuong Kiet welcomes the gods' army ships into the temple to hold a special god-praying ceremony of the midland region, bearing the mark of the Hung King period. On December 10, the village holds a spring festival, a ceremony at the temple of Mrs. Que Hoa, and is also a ceremony to end the only rice crop in Dao Xa village. Dao Xa Festival is a sustainable environment to nurture and preserve good traditional cultural values; to satisfy the religious, spiritual and entertainment needs of generations of Dao Xa people and communities near and far. Community attachment based on traditional cultural values ​​is always sustainable, a source of solidarity strength that has been proven through the history of building and defending the country of the Vietnamese people. Source: Phu Tho Tourism

Phu Tho 3069 view

Rating : National monument Open door

Outstanding relic site